OPN is completely off the grid. Its like the slime underneath techno and other synth-oriented music.
If I'm left to my own devices, I will be tempted to make the most unlistenable music possible.
'Shell Shocked' is so different from what people are used to hearing from Ty Dolla Sign.
I like music that's more offensive. I like it to sound like nails on a blackboard, get me wild.
I've always been interested in shaping music in odd ways, with odd riffs and that's been probably something that I've continued on with my studies with improvisation as I'm working with people.
My music can be a little obscure. It does worry me that the music might be too complicated for people to take in - that they have to work too hard at it.
Anything that catches my ear, I'm into. Things that are different, that change what you're listening to.
Ultimately, what interests me is using exotic sounds in my songs.
When I hear 'fusion,' I think of Tricky-Dick stuff - really hairy melodies played in unison. It's like, 'Why?'
I guess one thing that makes my music stand out is that it is quite hard to determine what genre it is.
