Unpredictable Storytelling Quotes

Science fiction at its best should be crazy and dangerous, not sane and safe.

I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.

I write intuitively, and with most of my plays, I don't know what is always going to happen. This means I can sometimes go off on a wrong tangent, and with luck then rewrite it in a better direction. But it means I sometimes surprise myself as I'm going along.

Real literature, like travel, is always a surprise.

Before I begin a novel I have a strong sense of at least one central character and how the story begins, and a more vague sense of where things may wind up, but at some point, if the novel is any good at all, the story and characters take on lives of their own and take over the book, and the writer has to be open to that.

Good writing is full of surprises and novelties, moving in a direction you don't expect.

I offer originality: you don't know what my films are like until you go to them. I think that's the reason I've been getting all this attention.

In a play, you know where you start and end and all the stops you have to do, but in television, you can't construct this carefully planned out arc for your character. You often get a script and you're shooting it two days later, and you don't know what's going to happen next. It's one of the harder things that I've done.

I feel like you can't get an audience to like your character if she's actually cool, but you can if she's trying to be cool and sometimes fails.

When I started to allow the characters to go where they wanted to go, I just had to follow.

The concept of writing a novel and not knowing where it's going - I don't know how to do that. Novels are plot- and character-driven, so if I don't know what becomes of people, how can I know where it should begin?

People are going to die who don't die in the books, so even the book readers will be unhappy. So everybody better be on their toes. David and D.B. (David Benioff and D.B. Weiss co-creators of 'Game Of Thrones') are even bloodier than I am.

Innovation comes spontaneously. I don't know if I've done anything new. If I have, it's just because I had begun to feel for some time that I couldn't stand certain films, certain modes, certain ways of telling a story, certain tricks of plot development, all of it predictable and useless.

I do enjoy intense, bloodthirsty action, but I like to blend and cross genres. I don't want to be too predictable.

NXT is unpredictable, and they are not afraid to tell a lot of different stories and compelling stories.

My desire as a storyteller is to always catch the readers off guard; to give them something they aren't expecting, and take them in a direction that is satisfying in the here and non.

I could not stop talking because now I had started my story, it wanted to be finished. We cannot choose where to start and stop. Our stories are the tellers of us.

It's not always to the benefit of the story to have it so preordained.

I do a lot of brainstorming with my editors. Sometimes it just comes out in the writing. I'll get an idea as I'm writing the chapter. I try to go for maximum surprises in PLL, stuff you don't see coming. It's a lot of fun!

Part of me was fascinated by the idea that I would only get next week's episode a week in advance and wouldn't actually know where I was going with it, until the script landed on my mat. But, part of me wanted to know what was going to happen.

I love the way Damon Lindelof writes. It's almost like he was channeling me and he had my voice, even though the territory that those lines cover is unpredictable, and goes from raw emotion to laugh out loud funny but always true.