TV Adaptation Quotes

HBO and I have a deal to at least try to make a television series from the Leonid McGill stories. We're going to start with the first novel, 'The Long Fall.'

I've gotten more flack from the remake nature of our 'Being Human' from American audiences than I have from British fans. Every fan of the BBC original that I've bumped into seemed very excited and interested in seeing what we did with it - at least to my face!

A while ago, I did a television adaptation of 'Bleak House,' and the character I played, as far as I was concerned, had no redeeming features whatsoever. I wasn't about to try to find any; I didn't need to.

What I love about 'The Walking Dead' is it's a human story, which is to me what makes the comic book so good, but once you jump from the pages of the book to the screen, the gore and the zombies have to look great.

I'm encouraging these women, like Cheryl Strayed, to take the jump to writing for the screen. She is adapting her book Tiny Beautiful Things for us. They're infinitely capable of tackling the format.

It was somewhere in doing the last season of 'Leverage' that John Rogers and I became confident that we had developed an all-new production technique where we could put more on the screen with very little money. So we started to get more comfortable with the idea of trying to tackle 'The Librarians.'

'Afterlife With Archie' - they're doing a great job.

I did not know much about 'Black Lightning' beforehand, but I always wanted to play a superhero. After getting the part, I went back and read the comic books.

'XIII' is a spy show. I think the comic book is a little too similar to 'The Bourne Identity.' I tried to take it away from that. I believe there was, many years ago, before the Bourne movies, a lawsuit that made it so they couldn't be published in English.

That movie [A Series of Unfortunate Events] told four books in two hours, and we have two hours per book. So we have eight hours to tell four books, and if people watch we'll get to tell more of them. There's only thirteen books, so there's only going to be two more seasons, but that allows for a lot of time to be in character and to maintain character.

I remember, when I was a teenager, 'Pride And Prejudice' came out. We hadn't had a period drama for ages, and were all glued to it, and for the next three years, Jane Austen series were being made.

When we first sat down and talked about how much of the show we were going to do based on the movie, there are certainly things you can see right away, but we wanted to make sure that the audience who maybe never saw the movie or has maybe never seen any of the Marvel characters before - and I know there's three of them left on the planet - could have someone that could be their eyes and take them in.

'Dexter,' while the pilot shares moments with the novel that created the character of Dexter, they completely abandoned the book from that moment on.

The book is really, really dark, to the point where some people that I've talked to have said that it could be a series. And I'm like, Where? VH1? It's a little hard for VH1.

Agatha Christie holds special personal memories for me because my mum, a television producer called Pat Sandys, had been the first person to persaude the Agatha Christie estate to put one of her stories on T.V.

The announcement that there is a League of Extraordinary Gentlemen television series hasn't caused me to drastically alter my opinions. Now it seems they are recycling things that have already proven not to work.

I've thought that 'Soulmate' in the 'Night World' series would make a really nice TV-movie or just a movie.

I turned down all the requests for the rights to the books, for years, mostly because they wanted the rights to the characters, and to turn it into a TV series. This would have allowed them to do anything they wanted with the characters, and that just wasn't an option for me.

All comic-book artists secretly want a successful television or movie project because of the wider audience.

I was in love with the British 'The Office', so even though I love Steve Carell, when they were going to remake it, I was like, 'This is not going to work. I'm going to completely veto this show. I am not going to watch this show.' But now, I love it.

HBO is turning 'Game Change' into a miniseries, and they've cast Ed Harris as my dad.

As much as I thought the end of 'Friday Night Lights' was a really great ending, I was one of those people who wanted to make it into a movie. Even though it ultimately didn't work to do that movie, I did work with some of the other writers and by myself writing a script for that.

While you certainly will recognize 'Outlander' if you've been reading the books, there's also this wonderful sense of novelty and discovery about it because of all the little new touches and twists. I watch it in utter fascination waiting to see what will happen.

'Game of Thrones' is taking dense novels and trying to shrink it all down to a slightly manageable series in the sense that there are so many characters and so many locations.

I've always thought that 'Dear White People' should live on as a TV show, so I'll leave it at that.