Tolkien Influence Quotes

What would a racist call werewolves? Wargs? She kind of liked that one, but suspected that racist bastards didn't read Tolkien.

I've always looked upon the Ducks as caricature human beings. Perhaps I've been years writing in that middle world that J.R.R. Tolkien describes, and never knew it.

There was a series called 'Game of Thrones' which was very popular here in the United States, a post-Tolkien kind of thing. It was garbage, yet very addictive garbage - because there's lots of violence, all the women take their clothes off all the time, and it's kind of fun.

As a child I was really into fantasy books with elves and goblins and swords, and I went through a phase for a few years when I was reading endless series. But in the end I became totally fed-up with all these sub-Tolkien rip-offs because they all end up doing the same old things and there's no rigour to it.

There are a number of things that I'm trying to get into the books. There's a meta-fictional aspect, if I may use that pretentious word, to writing anything. You're writing in the shadow of all the people that have gone before and, in a way, you're having a dialogue with them. As someone who's read J.R. Tolkien and Robert E. Howard and all the great fantasists before, this is almost my answer to them.

Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.

Fantasy has had some problems with being too repetitive, in my opinion. I try to read what other people are doing - and say, 'How can I add to this rather than just recycle it? How can I stand on Tolkien's shoulders rather than stand tied to his kneecaps?'

As a generalization, fantasy writing has leaned more on political storytelling the more it's tried to escape the inevitable influence of Middle-earth, and revise the Eurocentric and Christian tropes that Tolkien's particular worldview bequeathed.

The Seventies were an interesting time to be a reader or writer of fantasy. Tolkien was the great master. Lin Carter was resurrecting wonders of British and American fantasy from the early twentieth century in his Ballantine Adult Fantasy Series.

Dyson and Tolkien were the immediate human causes of my conversion. Is any pleasure on earth as great as a circle of Christian friends by a good fire?

When someone writes something dazzlingly brilliant, people want to imitate it. The result is a lot of less-than-brilliant knock-offs. Elves, Dwarves, Goblin army, cursed ring, evil sorcerer. Tolkien did it. It rocked. Let's move on. Let's do something new.

Most modern fantasy just rearranges the furniture in Tolkien's attic.

I love fantasy. I grew up reading fantasy. But, I wanted to put a somewhat different spin on it. The whole trope of absolute good versus absolute evil, which was wonderful in the hands of J.R. Tolkien, became cliche and rote in the hands of the many Tolkien imitators that followed.

Consensus wisdom has it that all modern commercial fantasy novels fall into two camps: those derived from J.R.R. Tolkien and those derived from Mervyn Peake. The 'Lord of the Rings' template or the 'Gormenghast' mold.

For a variety of reasons, my books struck the marketplace like a thunderclap; and one of those reasons was that there were so few alternatives available. Readers who loved Tolkien, and who were not satisfied by Terry Brooks, had nowhere else to turn.