When my father died in Greece, leaving my mother strapped, a cheque arrived next day from my Greek publishers who'd just bought two of my books for pounds 500.
Anyway, several rewrites later, Del Rey Books did publish my first novel, and it did become the first work of fiction on the New York Times trade paperback bestseller list.
The idea is to become a best-selling author first and then the rest of my books will be slam dunks.
I was elated when I found out my first novel, 'Leaving Patrick,' about a woman who walks out on her husband, was going to be published.
I have tons of fans in Canada. I've sold hundreds of thousands of books there.
One, I have a wonderful publisher, Black Sparrow Press; as long as they exist, they will keep me in print. And they claim they sell very respectable numbers of my books, so I guess, and it's true, every place I go, my books are in libraries and on bookshelves.
People who don't normally read make an exception for my books, possibly because they're short.
I think one reason my books have found mainstream success is that they're written from a skeptical point of view.
It's embarrassing when you try to overthrow the government and you wind up on the Best Seller's List.
His book, Steal This Book, was a best seller.
You know, in the old days, you might be able to slowly sort of build an audience for your work by publishing two, three novels before you hit it big. You know, now, there's much more of an emphasis in the publishing houses on making sure that every book makes money.
Having my novels published is a dream come true.
I have high hopes for Renee Ballard's literary life, and it can't start out better than the top of 'USA TODAY''s best-seller list.
The first page sells this book. The last page sells your next book.
Having big audiences when you're on a book tour is like Valhalla if you're a person who used to sell Girl Scout cookies on the side. Because you want to give the reading that will sell the most books.
Maybe self-publishing is going to be an extra step added to publishing. Maybe what's going to happen is you self-publish a book, someone notices it - an agent? - and it goes from there into the traditional sphere.
I know that I am very popular in Holland, in fact I have visited Amsterdam several times to publicize my books. I have a great publisher in Holland and they have published all of my books in Dutch.
Publishers are in business to make money, and if your books do well they don't care if you are male, female, or an elephant.
Pulp paperbacks have always provided a training ground for men, Some of them went on to become respected authors - Dean Koontz, Nelson DeMille and Martin Cruz Smith, for example. Why couldn't a woman?
One of the things my success as an author has forced me to face is how dysfunctional... Maybe that's a strong word, but how obsessive I am.
Buying new books supports the writer by providing both a royalty and an audience; a writer whose book sells well has a better chance of selling another.
Any fool can write a novel but it takes real genius to sell it.
The book I made it big with in the U.S. was my fourth book, 'Sanctum.' My novels sell really well both there and in Canada, so once a year I do a promotional tour, visiting a different city every two days, doing book readings and signings.
My first job was to run a concessions cart. Later, I found a position at the Pacific Film Archive. Thus began a long series of jobs, each one slightly better than the last, that continued for a decade, until I sold my first novel, and still goes on, even now.
My Writers Guild of America card is one of my proudest possessions. I was given it after being invited to write the script for a film of my last novel, 'Me Before You,' which is being made by MGM. Whenever I look at it, I think, 'I'm a Hollywood writer!'
I knew people were independently publishing, and I buy books on Amazon. I began seriously considering it when Amanda Hocking was in the news about her self-publishing success.