My wife called me a mule. She once said, "I didn't marry a man; I married a mule!" I kept thinking about it. It was in the back of my head. I think it makes a good title for an album.
There's happens to be a volcano in the vicinity and there's some talk about a volcano as well, so that's the title Salt and Fire
The original title was 'Waking Up Diagonal'. It's the first line of the song. I just thought it was more interesting than 'I Don't Care', which is such a boring title to me. When I hear that song, it breaks my heart a little bit because it's my story.
Some day I shall write a novel and call it 'A Walking Tour in the Congo' or 'Thrills and Spills in Aeronautics'; but I keep this type of title as a last & mercenary resort.
'The Searcher,' as the title suggests, is about someone in search of something, and I have always loved quest stories and so was drawn to writing one myself.
I usually think about titles. I'll hear somebody say something and write it down in my notes, and whenever we go into a room, somebody will start naming off titles, and whoever has the best title, that's what we start writing.
Many of my books have begun with the title, because naming a work already in progress makes no sense to me.
A lot of time, with stories, I'll start out with a title and try to dream myself into the story that it evokes - a kind of subconscious exercise in which I'm trawling for some kind of entryway into fiction.
[On her and husband Michael Dorris:] We both have title collections. I think a title is like a magnet. It begins to draw these scraps of experience or conversation or memory to it. Eventually, it collects a book.
The title came rather early in one of Ringo's more tired and emotional moments.
There was an author who titled his books by days of the weeks and another one that used colors. Then there was Edward Gorey who wrote the book The Gashlycrumb Tinies, about the untimely death of 26 Victorian children, each representing a letter of the alphabet. I thought what a great way to link the titles.
When we came up with titles like Ready or Not, that's how we really felt.
Sometimes the song title comes with the songs, other times you just sorta make something up afterwards.
I normally take a long time finding titles. I finish the book and go into sweats for months afterwards trying to think of them.
All my books have been titled based on a piece of the prose from inside the book.
You have to have a plan. Everything has to be planned. For me, I start with the title of my album, before I even start with the songs. I write down different things that I want album to say, and then the songs come from the different words.
Titles either come to you at the beginning or they don't come to you at all, I find, and I hate the feeling that I haven't got a title because it usually means that you are left at the end scrambling around trying to find something.
My favorite thing is coming up with titles. The majority of the songs I've every written I've always thought of the title before I've written the song.
Instrumental music can be about anything. It's about a mood, and I usually title my instrumental songs long after they're written. Sometimes I figure out the titles when I'm doing the CD package, and that's very common for a lot of people who write instrumental music.
For years, I sort of would try to write a story that somehow fit the title. And I don't think it happened for maybe another four years that I actually thought of a story, the plot of a story that corresponded to that phrase.
Sometimes the title comes to you at the beginning, sometimes it comes at the end. The very best way in my experience is when it comes in the middle.
Anyway, the title The War of the Insect Gods came before we had that ending, before we knew they had become gods. That we knew the evolutionary cycle they went through. Before we even knew anything about that. We had an ending.
The worst thing is always thinking of titles for records, with some reason behind them, and she just came out with the word, which she thought was a good word, a hard word, and since then we've sort of attached loads of meaning to it.
Nobody mentioned this in any of the reviews, but the reason we came up with that plot for 'Reno 911: Miami' is because we thought it was just the stupidest title for a movie that we could think of.
Titles are very hard. Sometimes a title comes before I start to write the book, but often I finish the book, and I still don't have a title. I have to go through the book again, and then sometimes I hope a title jumps out at me from what I've written.
