'Captain America' was probably the most universally positive experience I've had in this mad business.
It was fun in its own way, but I think 'Dahmer' was ultimately one of the most rewarding experiences of my life and my career.
And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.
I think definitely 'Robot 2' is a milestone in my career.
Neil and I had the greatest experience of our lives doing 'Chicago' with Latifah. Then we had the second best experience of our lives doing 'Hairspray.'
My song 'Afreen Afreen' which I performed with Rahat Fateh Ali Khan was the most international heard track and it received over 93 million views. So, with every new season Coke Studio is doing a great job.
There's nothing I've ever worked on that beat 'Game of Thrones' - that's a 10-hour movie; they put a lot of money in it.
'House of Cards' was amazing to work on. I couldn't believe I landed there.
It was great working with Kevin Smith - just a dream.
I've done a collaboration with Action Bronson, which is, like, the coolest thing I've done so far.
With 'Fruitvale,' I was very fortunate to be part of the film, and, God, everybody was just incredible.
It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame.
I don't start with a design objective, I start with a communication objective. I feel my project is successful if it communicates what it is supposed to communicate.
I'd done kids' TV in the U.K., but not great kids' TV. So yes, 'Submarine' was the first film and the first good thing that I have done.
Walter [Hill] basically brought me into that ["Wild Bill Hickok"], and it was one of the great experiences. It was extraordinary stuff. He wrote this kind of American Shakespeare. But I played my part for four episodes, and the rest is history!
We had one big album and we started working on the 'Ant and Dec Show' and we had a really good time.
The idea of a musical comedy was something we had had in mind for many years, but the project 'Igudesman & Joo: A Little Nightmare Music' has a history that goes back five years. I can say that this is the most successful project that we have ever done.
Regardless of how Beautified turned out, it was a great experience, and it was an excellent product and one that people really appreciated in the space.
I made 'Rio Bravo' with John Wayne. It worked out pretty well and we both liked it, so a few years later we decided to make it again. Worked out pretty good that time, too.
Starting from scratch and seeing the smile on a client's face when it all comes together in the end - it's a lovely feeling.
I've been on plenty of things that never took off, and I've been on one thing, 'The West Wing,' that was a big hit, but took off well before I was on it.
Machinima has just been stupid-amazing. They're incredible. It's been exciting to work with them, and I hope to do it for a long time.
'Fargo' was the turnaround for me, in terms of film, because it was a part; it wasn't a line.
I got good recognition in the industry after working for 'Kandireega'. I traveled with director Santosh Srinivas right from the scripting stage for that film.
Working with Olivia Colman has probably been the highlight of my career so far.
