Story Continuity Quotes

I think the legacy left behind by 'Battlestar' speaks for itself. I thought that these avid fans, most of whom were skeptical at first... to turn them into a fan of 'Caprica' as well is a daunting task, a big challenge.

We built 'Jade Empire,' then we built 'Mass Effect,' then we built 'Dragon Age.' With those last two, when you're dealing with two big ideas that are on their third iterations, you develop some strategies for managing your lore, or you drown!

Maybe because I'm a child of the '80s, but for me, a sequel is a story that follows the previous one, and sometimes if you haven't seen the original, then you don't understand the second one. Like 'Back to the Future 2.' If you haven't seen the first one, you're not going to get anything out of 'Back to the Future 2.'

While we do have 50 years of terrific Avengers stories, many of which our writing staff has written, along the way, this has to live in its own world.

For me, the favourite chapters have always been the last chapters in the books. I knew exactly how each book would end - and how the first chapter of the following book would begin. I knew I wanted to leave the readers with answers - and a bunch of new questions!

When you write the first book of a series, you do have to be careful what you put in because then you are stuck with it.

Usually, when I read something, I'm looking for the story first. And then, when I re-read it, I check every part of it to see whether every scene is necessary. You imagine yourself watching the movie, to see whether or not you're losing the through-line of the story.

One never wants to do anything that's going to break that 'sculpture of the character' that's been done so far, or make anything that's been done so far become illogical in any way, so you always want to try to connect when you're doing a series of films that has a continuous character.

Obviously, a lot of TV shows are based on chronological episode viewing, and the stories are contingent upon watching it in order. Syndicated shows, you don't have to watch in order. You're just watching characters that don't change that much.

One of the problems with episodic television of any color is that everything has got to be okay at the end of the episode so it can start again next week.

There are writers out there who say they're writing a second series, and then you pick it up and it feels exactly the same, only the lead character is blonde instead of brunette.

I write these shows one joke at a time. There's no continuity. I do try to figure an order to the stories, but there's not continuity.

To go too much another way, for the sake of my ego in wanting to create something... in the situation of Superman is just wrong. Especially since we're continuing, in a sense, that story. The characters have to feel somewhat similar. What are you going to do with Superman? The world, and all the people that have created it, created him and have all kind of come together to make this image. Everybody kind of has the same idea of what it should be. So for me to go, "Okay, no, I think he should have a southern accent." Or something crazy, just doesn't make any sense.

Everything that I've worked on at Lucasfilm has been considered canon.

With my own comics, I try hard to get the vision in my head onto paper, to have one match the other as closely as possible. With the 'Airbender' comics, I'm working with someone else's vision, an already-established vision. I want to stay true to what's come before.

You have to be very careful when you're working on a sequel, because it has to be a continuation of what you did before.

We speak of stories ending, when in truth it is we who end. The stories go on and on.

It's very important that all the supporting characters feel like they've existed in the world, that they've had a history, and they'll go on to have a history within the scope of the story rather than just popping up and then disappearing.

In writing a series of stories about the same characters, plan the whole series in advance in some detail, to avoid contradictions and inconsistencies.

I don't want to think that the stories are finite; I want to feel that they can go on forever.

I've never been on a TV show for more than a season and you have to continually keep it interesting and you have to keep it connected, even as you change.

When I approached 'Animal Man,' I approached it as if it wasn't a reboot, as if the Grant Morrison and Jamie Delano stuff happened. I mean, as much as I could make it all make sense, it still all happened.

In the '365 Fresh' MV, the story ends with us falling to the ground. Meanwhile, the 'Retro Future' MV features us falling onto a car in the beginning. The car that appears in both music videos is the same kind.

One of the things that set us apart early on, as opposed to other animated shows, was the fact that 'Bojack' was continuous and serialized.

I've been in leadership roles on Broadway, and it's one thing to lead a Broadway company - you're with those people for a year straight, and you're doing that same show, eight shows a week. It's quite another when you carry on the story... You go beyond that, and you ride the wave of a character.