Stereotypes in Media Quotes

Ah," he said. "I had an . . . artistic disagreement with the director of the panto. As it happens, I take issue with the objectification of women in Cinderella, and the reliance on shoes as a means of identification. Surely you understand.

There have been so few decent films involving Negroes that right away everybody expects every film to do everything. But when you make a flick, there are maybe two things you're trying to put into that flick. You can put the other things in another time.

We just laid down on the bed together with Reese Witherspoon at the Four Seasons, and she's like, "What are people going to think of Legally Blonde? They're just going to think I'm some ditz." I'm like, "No. They're going to love you." And they do, for good reason. She was amazing!

I don't believe in the so-called Latino explosion when it comes to movies. Jennifer Lopez doesn't have an accent. She grew up in New York speaking English, not Spanish. Her success is very important because she represents a different culture, but it doesn't help me.

I think that a lot of actors of color have said that it's a wonderful thing to play a role that doesn't have a race and that is kind of open to any sort of interpretation. I completely understand that, but at the same time, I just want Asian characters that are well-written.

I don't get it. I just don't get it. If Art is supposed to imitate Life, why do they want all the actors to be thin? There are fat people in the world. Shouldn't there be a few of us actors to represent them?

I think it's something much bigger than just pro wrestling and the industry I work in. It's across all media. You look at Hollywood movies: there's not the Muslim hero or the guy who looks like me and has a name like mine who is portrayed in a positive manner or in a leading role. So, growing up, I didn't have a role model that looks like me.

Whatever their reasons, Hollywood, or the entertainment industry, is saying something about Indians. I don't see the rest of the media knocking down any doors to do that.

Much of the image of the amazingness of America comes from the movies into other cultures. And it's much the same thing when you reverse it. Much of Africa is presented through poverty, through drought and war. [But] you're not presenting people, you're not presenting countries, you're not presenting complexity, and so people can't care about an amorphous mass called Africa.

Seven out of 10 black faces you see on television are athletes. The black athlete carries the image of the black community. He carries the cross, in a way, until blacks make inroads in other dimensions.

I watched the video [ with my first commercial] when I was 20, and in the video, there are two families. The first family is this smiling blond Partridge family, a Californian/Aryan kind of thing, all playing guitars, all singing together and harmonizing. And then, there's my family - and in my family, it starts with my mom saying that she feels like a drill sergeant sometimes, and she's yelling at one of my brothers to stop hitting another one of my brothers. It's just like, "Great, we're that family." It felt a little Simpsons versus Flanders.

I'm always surprised on my social accounts that people assume that because you have a job in television you don't have a political opinion, or don't have a family, or don't have an interest in the rest of the country. It's just absolutely shocking to me how closed minded some people are.

When I read the script [of Glee], the whole premise was that all the high school kids were being cruel to this kid in the wheelchair, and then the quarterback comes along and has a heart of gold and takes him out of a Porta Potty. That's too often what I see in media, that the characters with disabilities are there to make other people seem like heroes for treating the character with a disability with respect. Those are the kinds of roles that are out there.

I use non-fiction work written by Whites in my research. It's indispensable. That wasn't the problem. I said that "The Wire" was a cliché! It's like my writing a series about Jewish life and casting all of the characters as inside traders.

They're not trying to prevent Hollywood from making movies. They're asking that the most powerful image-building machinery in the world stop grinding out killer dykes and twisted homo sex fiends as if sexual orientation had anything to do with criminal behavior.

It's just hypocrisy on hip-hop's part to cry racial profiling when your race is on TV acting like fools.

I think that's important to have in something like a national television show. It's important to portray a woman realistically, and not just as a bridezilla.

If you think what you see on TV is prejudiced, it is. Follow your instincts.

There are little Indian girls out there who look up to me, and I never want to belittle the honor of being an inspiration to them. But while I’m talking about why I’m so different, white male show runners get to talk about their art.

It's hard to find black roles that are just whimsical and fun and colorful. And I think, in many ways, that can be just as powerful in making commentary about race through movies.

I think 'Empire' is entertaining. It's a soap opera. Does it touch on stereotypes? Sure, it does... I don't know if that's necessarily good or bad.

Asian American men, Asian men have been basically eunuchs in American cinema and television.

I hate these actresses-pretending-to-be-lesbians movies. To me, that's just as prurient as a bad violent movie.