Zach Anner Quotes

A lot of roles for people with disabilities are quite patronising. It's a real pity when they are just used to give dull PC kudos to a drama, or when they're wheeled on in a tokenistic way without any real involvement in the plot.

A lot of people don't want to hire disabled actors. They think you're going to take twice as long over a shot, or they don't want have to put up a ramp for disabled access. They think, 'Why would I do that when I can just hire an able-bodied actor to play the disabled character?'

Often, films about people with disabilities are from the outside looking in.

There's an unwritten law that you cannot have a Jewish character in a film who isn't 100 percent perfect, or you're labeled anti-Semitic.

I think the media is a real demon.

The token gay character is always so funny and so fantastic. That's happened a lot. Or they're often purely victims.

Disability doesn't make you exceptional, but questioning what you think you know about it does.

Being deaf or having any disability is not tragic. But the stereotypes about it are tragic.

I think 'Empire' is entertaining. It's a soap opera. Does it touch on stereotypes? Sure, it does... I don't know if that's necessarily good or bad.

The farther away you writers stay, the better I like it. You know why? Because you're trying to create a bad image of me... you do it because I'm black and Puerto Rican, but I'm proud to be Puerto Rican.

In the media, I always seemed to come across as someone who was poking fun at the Scots and their football. I guess the Scottish public needed someone to blame for their international defeats, and I fitted the bill perfectly.

I always disliked that anytime you had gays represented in - and there were some exceptions, certainly - but represented in popular fiction, they were usually the goofy neighbor next door, you know? And I just thought, 'Well, I know a lot of gay people, and they're just as varied as the heterosexual people I know.'

Don't ever believe what you see in films.

Calling something "new age" is one of the media's biggest canons. If you're called "new age," you couldn't possibly be serious, you couldn't possibly have anything deep to say, and you probably hang out in California too much - and we know that no one in California reads books or has any serious thoughts!

The one that sticks out in my mind and has all along was the New York Times piece on Melania Trump.Calling her a mannequin and a trophy wife, which if anybody had ever said that about any - Michelle Obama was a lawyer. But Melania Trump has been a successful businesswoman. She speaks several languages. A mannequin and a trophy wife and it was just - fine, they were allowed to say that about her.

I think a lot of the media love the game and hate the people who play it.

Much of the image of the amazingness of America comes from the movies into other cultures. And it's much the same thing when you reverse it. Much of Africa is presented through poverty, through drought and war. [But] you're not presenting people, you're not presenting countries, you're not presenting complexity, and so people can't care about an amorphous mass called Africa.

I looked where he was tapping. "Local Girl Missing, Feared Dead" Beneath it was a photo or me-my most recent school photo. "Oh no." My heart filling with dread, i took the paper from Mr. Smith's hands. "Couldn't they have found a better picture?

I am proud of the hip hop generation. They are good business people and, actually, good people. It's strange that the only time the major press talks about them is when someone gets killed or does drugs or something; yet these are the same press people who made heroes out of the Mafia and other crooks, you know.

I think that's important to have in something like a national television show. It's important to portray a woman realistically, and not just as a bridezilla.

In the early days of my carer as an actor, I shared what was then the prevailing attitude of Negro performers :;that the content and form of a play or a film scenario was of little importance to us. What mattered was was the opportunity, which came so seldom to our folks ... Later I came to understand that the Negro artist could not view the matter simply in terms of of his individual interests, and that he had a responsibility to his people who rightfully resented the traditional stereotyped portrayals of Negros on stage and screen.

It's just hypocrisy on hip-hop's part to cry racial profiling when your race is on TV acting like fools.

It's just, "Hey,[Barack] Obama's the hero, and he wants Obamacare," and so the coverage is totally devoted to whether or not Obama's gonna get it. Now, in that scenario, who are the villains?Well, your good old, reliable Republicans are the villains, and they are always portrayed as the people trying to deny our beloved hero what he wants.

They dislike me, the liberal media dislikes me. I was always the best at what I did, I went to the Wharton School of Finance, did well. I went out, I started in Brooklyn office with my father, I became one of the most successful real estate developers, one of the most successful business people. I created maybe the greatest brand. I then go into, in addition to that, part time, like five percent a week, I open up a television show. The Apprentice on many evenings was the number one show on all of television, a tremendous success.

I use non-fiction work written by Whites in my research. It's indispensable. That wasn't the problem. I said that "The Wire" was a cliché! It's like my writing a series about Jewish life and casting all of the characters as inside traders.