When you say, "there's no reason [to hit a woman]" that kills any examination as to how two people ended up at that place. When you say, "there's no reason," you cut out the build-up and you're just left with the act. How you gonna solve it if you don't figure it out?
Whenever a new technology is introduced into society, there must be a counterbalancing human response - that is, high touch - or the technology is rejected... We must learn to balance the material wonders of technology with the spiritual demands of our human nature.
People will always respond to high-class drama.
I'm more alarmed by people reacting violently to the violence in my films than I am by the violence in films.
Jane Addams, founder of Hull House, once asked, "How shall we respond to the dreams of youth?" It is a dazzling and elegant question, a question that demands an answer--a range of answers, really, spiraling outward in widening circles.
AIDS is a plague - numerically, statistically and by any definition known to modern public health - though no one in authority has the guts to call it one.
I'm actually very active.
Singing was more of a hobby, and I was terrified of anyone's opinions. The only reason I kept doing it was because people responded positively, and if they hadn't I don't really know if I'd feel the same. I'm not into fighting for people's affections.
If you think about it, hip-hop came out of nothing. It was a response to oppression.
When I came out, initially, I faced some mocking. For the first 10-15 days, sometimes when I was out in public, people would shout things like 'lesbian.'
It is hard, if not impossible, to snub a beautiful woman - they remain beautiful and the snub recoils.
When people read his books they have an uncontrollable desire to hang the author in the town square. I can’t think of a higher honor for a writer.
Published in 1947, 'The Plague' has often been read as an allegory, a book that is really about the occupation of France, say, or the human condition. But it's also a very good book about plagues, and about how people react to them - a whole category of human behavior that we have forgotten.
To me, the real 'state of the union' is found in how Americans react to current events.
The things they have actually accomplished all over America should be an inspiration to every reasonable person and an everlasting answer to all the grievous insults that have been heaped on the heads of the unemployed.
Particularly as a writer, it is my job to ignore social critics, or the response that social critics might have when it comes to the opinions of my characters, the way they talk, or anything that can happen to them.
The politics is far harder than the science. And even if we accept the science we have a big issue of how to deal with it.
Ever since I had that interview in which I said I was bisexual it seems twice as many people wave at me in the streets.
The way we have to measure progress is not, "Is there ever going to be an incident of racism in the country?" It's, "How does the majority of our country respond?"
There's a law of physics: For every action there's an equal and opposite reaction. And sometimes that shows up in politics and society. And I think that the reaction to President Trump's decision on the Paris Agreement has been much stronger than I had even hoped for. And the determination being expressed by so many people in state governments, city governments, in the business community, the investor community, is really heartening to me.
To those who fall and hurt themselves one runs with comfort; by those who lie dangerously stricken by a disease one sits and waits.
I feel like you have to make art because you have to make it. But the end result of it- that last stage- you have to show it to somebody else to hopefully get a rise or reaction out of them- [to see] if it’ll affect someone else.
Since 'Christine' started screening, I'm overwhelmed by the response from women and men - that it's so rare to see something like this. We're just not given the opportunity so much.
The kind of person other people perceive you to be controls their responses to you.
In difficult times fashion is always outrageous.