In Sicily, women are more dangerous than shotguns.
I'll miss everything about Palermo. The people always made me feel at home; it will be impossible to forget my experiences there. Palermo made me become a man.
Sicily is more beautiful than any woman.
But if I were asked to pick one constant, one quality that seems dependable, immutable, endlessly available, I'd say that it was intensity. For nothing in Sicily seems withheld, done half way, restrained or suppressed. There's nothing to correspond to say, the ironic, the cerebral remove at which a Frenchman might consider an idea or a question, or the Scandinavian distrust of the sloppy, emotive response.
Nowhere has truth such a short life as in Sicily; a fact has scarcely happened five minutes before its genuine kernel has vanished, been camouflaged, embellished, disfigured, squashed, annihilated by imagination and self interest; shame, fear, generosity, malice, opportunism, charity, all the passions, good as well as evil, fling themselves onto the fact and tear it to pieces; very soon it has vanished altogether.
One of my desert island books, 'The Leopard' is not so much a novel as a eulogy for a way of life and a Sicily that was already lost by the time Giuseppe Tomasi di Lampedusa was writing.
My family was all born in Sicily and I'm Italian-American. They're the real thing. They're authentic Italians, and honestly they're the most open-minded, nicest people in the world and nothing can really offend them. That's the way I think true Sicilians are.
I'm pretty Sicilian if I've been crossed. I don't seek revenge, but I never forget. And I make it hard to repair, which is not a great quality because if people held me to that standard, no one would be around me - ever.
I grew up in the Lower East Side, an Italian American - more Sicilian, actually.
I'll go to the south of Sicily in the winter, and paint memories of Arles – I'll buy a piano and Mozart me that – I'll write long sad tales about people in the legend of my life – This part is my part of the movie, let's hear yours
We built our fashion around three fundamental concepts: Sicily, tailoring, and tradition. Our dream is to create a style which is timeless, and to create clothes with such a strong personality that whoever sees them can instantly say without a shadow of a doubt: this is a Dolce & Gabbana.
My memories of my childhood are wonderful memories. I feel that I was privileged because I grew up in a beautiful city. It is Catania, on the eastern coast of Sicily. It's a place filled with sun, close to the beach.
My mother was a strong-willed and opinionated woman - a Sicilian! - and if she didn't like something, she'd let you know about it. So her undying support of her kids went a long way in proving to us that we were on the right path.
The superiority of the Arab civilization, especially in Spain and Sicily, was the chief agency which awakened Europe after six centuries of barbarism.
He left the priesthood in 1896.
You grow up in a Sicilian household, becoming an actor is not a big leap.
But beneath it all will run that Sicilian understanding that the underside of joy is grief, that the face of sacrifice and suffering is the dark mirror image of pleasure and enjoyment, that every moment of arrival is to be treasured and enjoyed in the full knowledge that it has brought us a moment closer to the moment of departure.
Each of our collections is like a movie. We write the script, and this Sicilian woman who has traveled around the world plays the lead role.
