Revision Process Quotes

I don't feel I write fast. I write in longhand and do so much revision. On the page, it's so old-fashioned. I could write a whole novel on scrap paper, scribbles and things. I keep looking at it and something develops. For me, using a word processor would mean staring at a screen for too many hours.

Writing is revision. All prose responds to work.

If you are ever completely satisfied with something you have written, you are setting your sights too low. But if you can't let go of your material even after you have done the best that you can with it, you are setting your sights too high.

I wrote the first draft of 'Madame Bovary' without studying the previous translations, although I gathered them and took the occasional peek.

Anton Bruckner wrote the same symphony nine times, trying to get it just right. He failed.

I always rewrite the very beginning of a novel. I rewrite the beginning as I write the ending, so I may spend part of morning writing the ending, the last 100 pages approximately, and then part of the morning revising the beginning. So the style of the novel has a consistency.

The best part of all, the absolutely most delicious part, is finishing it and then doing it over I rewrite a lot, over and over again, so that it looks like I never did.

Writing is rewriting what you have rewritten.

Everything you've ever read of mine is first-draft. This is one of the peculiarities of the comics field. By the time you're working on chapter three of your masterwork, chapter one is already in print. You can't go back and suddenly decide to make this character a woman, or have this one fall out of a window.

Every first draft sucks, so when you have your favorite novel, and you're like, 'Wow, this is a masterpiece,' and then you write your first draft, and you're like, 'This is really bad,' and then you're like 'I can't do this because this is nowhere close.' When, in reality, the book you loved so much started out just as crappy.

Science, like art, religion, commerce, warfare, and even sleep, is based on presuppositions. It differs, however, from most other branches of human activity in that not only are the pathways of scientific thought determined by the presuppositions of the scientists but their goals are the testing and revision of old presuppositions and the creation of new.

I work on one page, revising and polishing until I can't make it better, then move on to the next. Some pages might get 20 or more drafts before I move on.

Formula: Second Draft = First Draft minus 10%.

When you first start writing-and I think it's true for a lot of beginning writers-you're scared to death that if you don't get that sentence right that minute it's never going to show up again. And it isn't. But it doesn't matter-another one will, and it'll probably be better. And I don't mind writing badly for a couple of days because I know I can fix it-and fix it again and again and again, and it will be better.

When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes.

If you try to write 1,000 words a day, as I do, after 100 days you'll look up and have a book. It may be a mess, and you may have to revise it 50 times, but you can't revise it if you haven't written it.

In Hollywood, writers are considered only the first draft of human beings.

I revise the manuscript till I can't read it any longer, then I get somebody to type it. Then I revise the typing. Then it's retyped again. Then there's a third typing, which is the final one. Nothing should then remain that offends the eye.

I usually do about five drafts per rhyme for each song.

Everybody needs an editor.

I've done as many as 20 or 30 drafts of a story. Never less than 10 or 12 drafts.

I think with one exception I've never changed an opening sentence after a book was completed.

I wrote the first draft of my first novel at Michigan, and then I wrote the first draft of 'Salvage the Bones' at Stanford. So I workshopped the entire thing.

Suggestions? Put it aside for a few days, or longer, do other things, try not to think about it. Then sit down and read it (printouts are best I find, but that's just me) as if you've never seen it before. Start at the beginning. Scribble on the manuscript as you go if you see anything you want to change. And often, when you get to the end you'll be both enthusiastic about it and know what the next few words are. And you do it all one word at a time.