Religious Allegory Quotes

and don't you know that God is Pooh Bear?

The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision. That is why I have not put in, or have cut out, practically all references to anything like 'religion', to cults or practices, in the imaginary world. For the religious element is absorbed into the story and the symbolism.

Like lots of baby boomers, I was brought up on archaic anthropomorphism. Upstanding Christian dogs. Rabbits with family values. Because the ancient texts and pictures were sacred - Potter, Milne and the rest. Even concerned parents who knew Freud and Jung never saw the contradictions in feeding us on them.

The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision.

The Old and New Testaments are the Great Code of Art.

The 2016 Presidential Campaign had the most bizarre and unusual occurrences in all my years of covering politics, I have never seen so much that was unique and unheard of. My favorite one was when the Republican Speaker of the House referred to the Republican Senator Ted Cruz, the "Devil Incarnate". And then the Society of Satan Worshippers put out a Press Release denying it.

Religion is a smile on a dog.

Fiction can serve in a non-threatening way to open minds and, I hope, hearts to the Word of God.

'Noah' doesn't merely get the story wrong; like all Biblical adaptations, it's bound to do that (although some aspects of the film are out and out ridiculous). It gets the morality of the story wrong, and in the process turns God into Gaia and morality into radical deep green environmentalism.

Formerly Milton's Paradise Lost had been my chief favourite, and in my excursions during the voyage of the Beagle, when I could take only a single small volume, I always chose Milton.

Literally, the Bible is a gigantic myth, a narrative extending over the whole of time from creation to apocalypse, unified by a body of recurring imagery that "freezes" into a single metaphor cluster, the metaphors all being identified with the body of the Messiah, the man who is all men, the totality logoi who is one Logos, the grain of sand that is the world.

'Parable of the Sower' is capital-I Important. Put it on the literary fiction shelf. Put it on the Holy Crap fiction shelf. Put it on every shelf. This is one of the all-time great American novels.

But how has it happened that millions of fables, tales, legends have been blended with both Jewish and Christian revelation that have made them the most bloody religion that ever existed?

Have you considered that the Bible, like all religious doctrine, may be allegorical and symbolic, to direct us toward one holy entity of love, as opposed to a simplistic litiginous text to direct the behavior of human beings?

We've sort of agreed that the account of Adam and Eve is a story.

I have been reading the Old Testament, a most bloodthirsty and perilous book for the young. Jehovah is beyond doubt the worst character in fiction.

Christ rode on an ass, but now asses ride on Christ.

I don't believe any of you have ever read Paradise Lost, and you don't want to. That's something that you just want to take on trust. It's a classic ... something that everybody wants to have read and nobody wants to read.

Theologians will protest that the story of Abraham sacrificing Issac should not be taken as literal fact. And the appropriate response is twofold: first, many, many people even to this day, do take the whole of their Scripture to be literal fact, and they have a great deal of political power over the rest of us, especially in the United States and in the Islamic world. Second, if not of literal fact, how should we take the story? As an alagory? Then an alagory for what? Surely, nothing praiseworthy. As a moral lesson? But what kind of morals could one derive from this appalling story?

All the sweetness of religion is conveyed to the world by the hands of storytellers and image-makers. Without their fictions the truths of religion would for the multitude be neither intelligible nor even apprehensible; and the prophets would prophesy and the teachers teach in vain.

Too often, in novels that are speculative, God is a kind of kryptonite, and that's about all that it is, and it goes back to Dracula, where someone dumps a crucifix in Count Dracula's face, and he pulls away and runs back into his house. That's not religion. That's some kind of juju, like a talisman.

As to harmonizing the theory of evolution with the Biblical account of creation, I do not believe it can be done, and I do not see why it should be. The story of Genesis is beautiful, and profoundly significant as symbolism: there is no good reason to torture it into conformity with modern theory.

Army, Marriage, the Church, and Baking: the Four Horseman of the Apocalypse. Fermin Romero de Torres - The Shadow of the Wind.

I have a great deal of religious symbolism in my stories because I have a very deep sense of religion and also I have a religious training. And I suppose you don't say, 'I'm going to have the flowering judas tree stand for betrayal,' but of course it does.

Christianity is an old metaphysical fiction, stuffed with fables, contradictions and absurdities: it was spawned in the fevered imagination of the Orientals, and then spread to our Europe, where some fanatics espoused it, where some intriguers pretended to be convinced by it and where some imbeciles actually believed it.