Recording Challenges Quotes

It's hard sometimes to capture magic when it comes to live records.

The first record we made in three days. We literally stayed up for three days making the first album. It was crazy, crazy, crazy for us to do that. We couldn't believe anyone would give us a record deal. I look back on that record fondly but with just the slightest bit of a cringe.

'Anthem' was the record that almost didn't get made for a completely different reason than 'Underneath.'

I am sorry, but recording an album is just hard work; tedious, repetitive, and not very fun at all. Mixing is a bit better, but still pretty boring.

For me, making a record is a vacation. I'd like to do it more often. Just, chances are impossible... It's a very expensive hobby, you know?

Of the 25 songs we've recorded there were 24 that we wanted to have on an album. That wouldn't have worked. So when one of our wise managers suggested the idea of considering two different album, it cleared the way for us.

I always think I'm going to record a lot on tour but it's always hard to fit it in the schedule, and there's a whole lotta' other extra curricular activities that happen on the road.

When we were recording, sometimes I wondered if what we were doing would even be possible to play live.

I have a lot of milestones that I'm proud of when it comes to music, 'Amerikkka's Most Wanted,' I'm extremely proud of that. Just because of what I had to go through to get that music produced, that album produced.

Well the first record is something that you just put so much into. And the second record, people always talk about the sophomore jinx and everything, but I was still able to get through it and still focus on what I needed to do and make timeless music.

There's an infinite amount of possibilities and detours and things that can distract you from actually just performing the song and having whatever emotion that's invested into the song come through in the recording.

The album 'Physicist,' I erased all the work that I had done halfway through. I think that's probably why that contributed to that album being sort of sub-par for me, just because by the time I had to go back and do it, I was just over it.

I learned that I can't be as indulgent as I'd like to be when I record.

When I started working on my own music, I didn't have the chance to record in a big music studio, so I had to record everything myself.

Because I was independent for such a long time, and I was always just feeding my fans - every month, I'd be giving them something new. So I had to adjust to the process of making a record. And after signing with a label, there are just certain things you can't do anymore. It was frustrating at first, but as the months went by, I got used to it.

Once I'd chosen the songs, it seemed like it would just be a question then of recording them. But it's a case of trying to re-invent the songs; taking them in different directions.

We had a nightmare on our first album, and went through two producers. I decided, on the second album, to take the money that we were supposed to use for pre-production, and we went into a studio and cut the album with no producer. We finished the whole thing without telling the record company.

I definitely use "smiling while rapping" as a tool in the booth. I want to have fun while recording. At times it can get tedious and stressful when it's not sounding the way you heard it in your head, but you've got to remember to just smile and appreciate the fact that you're even in the booth and there are people who want to hear your art.

It's tricky when you're doing a recording, because the only weapon you have is your voice and the delivery of that voice. You don't have a gesture or a facial expression, there are no costumes or set pieces. Everything needs to be present in the voice.

I don't know if I want to record together again. I go off and on it... In the old days, when we needed an album, Paul and I got together and produced enough songs for it. Nowadays, there's three of us writing prolifically and trying to fit it all into one album.

You take all the time to write a song: you have to let it ooze on out by its natural self and that is pretty time consuming. Then you teach it to the band so everybody gets all the parts. Then you rehearse it and road test it, and all that. Then you get to the studio and there is a new guy in the band who calls himself the producer, right? Huh. He either makes it or breaks it usually before nightfall.

I always felt like there were always egos involved when I was trying to get music finished in New Order. Sometimes it would feel like I was running through water.

I had to get the voice back, the precise pitch of Sid's voice and I'd forgotten that I'd pitched him higher than my regular voice, so that was a little difficult to begin with. It was especially hard because we started recording in the morning so I had to warm up a lot and my usual voice is a little more gravelly.

With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.

All the songs on the first album were like skeletons of how we really played them. It was just a combination of not having any studio experience and having to do everything so fast. I also think that studios are, by nature, limiting. You cannot get the sound of five big amplifiers on a little piece of tape.