I appreciate Drake's music, I appreciate Future's music, I appreciate Lil Durk's music. I appreciate Uzi, Meek Mill, I appreciate Migos.
I met Mos Def around that time but I didn't hook up with him until I was about 17 or 18.
Earlier in our country, rapping was not considered as a proper art form, as it is not a song. But now, incorporation of rap in Bollywood songs, is giving rappers a chance to show their talent and it is coming to the mainstream.
I was into hip-hop, growing up early, so I loved Run DMC, LL Cool J, rappers.
I love Kendrick Lamar, J. Cole, and Miguel.
Every ghetto kid that walks the earth can see something in KRS-One that reminds him of himself.
When I first started rapping, I used to just jock Jay Z super hard. Back when I was like 14 and 15, it was, like, Jay Z, Ice Cube, and Lil Wayne.
I believe samurai in the Edo period and modern hip-hop artists have something in common. Rappers open the way to their future with one microphone; samurai decided their fate with one sword.
I rightfully respect Killer Mike a hundred percent. He knows my father; he's known my father for years.
I'm not interested in hearing yet another rapper tell me why he's the best. Why not tell a story set in a specific time and place? Create some characters, add a little bit of action and you're good to go.
I still very much appreciate the storytelling of the best rappers.
I really like Damian Lillard, I like Iman Shumpert's raps, Stephen Jackson, Allen Iverson and Kobe Bryant. Those are my favorite ones. I like Lonzo Ball, don't know about him as a rapper yet, but I know he's cool.
People stereotype female rappers a whole lot.
I'd love to work with Snoop Dogg, Skrillex, Lil Wayne, Kendrick Lamar.
How many thick black women are there singing whatever I'm singing, surrounded by rappers, but also from the suburbs? I can't really judge someone else for judging me!
There's a lot of good rappers in England at the moment. There's a lot of good dance acts. A lot of good, young guitar acts. I think a lot of groups came from that dole culture of the late 80's/early 90's - it's not as easy now. I think there's a dearth of working class bands.
Welcome to Atlanta Jack and hammers and vogues Back to the mackin' and jackin' the clothes Adolescents packin the fo'
I was a super-duper Tupac fan, and I realized later, when I became a huge Nas fan and a huge Eminem fan, I was drawn to the storytellers. They all told stories in different ways, but they were all like the best storytellers.
Everybody say I give them Pac vibes. I ain't gonna lie: I ain't really grow up on Pac, but I kinda see it - just off everything I do, though.
I have a hip-hop podcast and get to meet all these rappers I love, so I feel very lucky.
I love the playfulness and braggadocio that accompanies a ton of rap music - that's basically what makes up the foundation for most rappers. But there is nothing 'weirder' to me than someone who has never doubted themselves.
The rappers have gone in and created a lot of hit music based upon my influence. And they'll tell you if you ask.
I grew up around a bunch of rappers and street dudes and they were always like: 'yo! She's a little different but she's her.' They respected it because you know it wasn't forced, I wasn't posing to be something I wasn't.
I like underground rappers - Cory Gunz is a young kid that's been really doing his thing. I'm a Gym Class Heroes type of fan even though they're not new, but they're definitely trendsetters.
I definitely have plans to do more collaboration albums in the future. I'm a big fan of Common. I'm a big fan of Scarface; I'm a big fan of so many people, from Jeezy to... well, there are a lot of people's music that I respect. I don't know who I will collaborate with, but there's a great chance of something happening.