I have always loved radio as a medium.
I make more than a handsome living doing voices for commercials; I hear myself all day on the tube.
To be successful in talk radio, you have to have a conservative audience as well. Not enough liberals listen to it.
I was a radio presenter in Dubai for five years.
Radio has always been just disgusting.
The last thing we want is for radio to say that they can't afford to play our artists and turn off the pipe.
I started in radio.
I did a couple of movies in Brazil, and the actors were incredibly congenial and hung out together a lot. Even the biggest stars would do radio commercials - they're not put on a pedestal like they are in the United States.
I started in radio, again accidentally. I wasn't looking for this kind of work at all.
I was in Washington, D.C., on the morning show, by the time I was 18, programming a station by 19, No. 1 in the mornings. I think I was making, I don't know, a quarter of a million dollars by the time I was 25.
I've always sort of been at odds with radio programmers.
Ray and I both grew up with radio. Our whole hopes for the future were that we'd get into radio.
I remember that in Baltimore, where I grew up, we would drive by the radio station and tower of WBAL, and I would try to picture the people inside and what they did there.
The good thing about radio is that it's the kind of career that really is a career with longevity. It's something you can do as long as you want to do.
In radio, they say, nothing happens until the announcer says it happens.
Basically, radio hasn't changed over the years. Despite all the technical improvements, it still boils down to a man or a woman and a microphone, playing music, sharing stories, talking about issues - communicating with an audience.
I went into radio in 1965 when I got a license for CJOR 600 AM. It was my second business.
I grew up years ago doing something that unfortunately doesn't hardly exist any more, a medium called Radio.
If it weren't for radio programs like 'The George Jarkesy Show,' no one would know about 'The Amateur'.
Radio can break you.
I decided to try radio as a source of livelihood because I like to eat regularly.
Radio is paid by advertising. They decide what songs to play that'll keep people listening. And that's what promoters and the Classic Rock people do.
I have two syndicated radio shows though United Stations Radio Network.
Radio got behind me, and I'm very thankful for it.
I did a bunch of commercial voiceovers in Chicago before I left. For Balducci's pizza, I did a whole series. Actually I was making a good living with voiceover before I left.
