ROBERT STACK

I don't mind UFO's and ghost stories, it's just that I tend to give value to the storyteller rather than to the story itself.

I grew up in France, my first language was French, and I tend to gravitate towards French cooking.

I think voiceover is an adjunct that actors have picked up that have given us some security.

That's why I never took this business too seriously, thinking I was something special, when I knew the truly great performers in motion pictures. pictures.

They have a book of locations, and we would do a story about the Sahara Desert for instance, and in the California book you would find a comparable location, to match that location in California.

Lucille was a darling lady. Probably the finest comedienne in the business.

I'm very proud this show has been accepted for this length of time.

I am very pro law enforcement.

We did a show called The Orphan Train, during the depression, when families didn't have enough money to support their children, they'd put them on the train and hope someone would pick them up who had enough money to support their children.

I play bad golf for good charities like the LA Police.

In terms of segments, I think we've done 1,200.

I learned early on, having known the most handsome, successful, Gary Cooper, Clark Gable, Robert Taylor, don't ever spend too much time looking in the mirror.

Whether it s the country or city, I never liked the bad guy.

You have to love the doing of what you're doing and not wait for the phone to ring.

Someone once accused me of being like Eliot Ness. I sad no sir, I'm not E.N., but I can promise you that I'm not Al Capone!

I grew up years ago doing something that unfortunately doesn't hardly exist any more, a medium called Radio.

Thru the auspices of the viewers who become - I think this is an import - in a democracy, become a working unit with law enforcement against the criminals.

Yes, and many times it's frustrating, because I'm simply part of the show, and I'm not in the creative end of it, who goes out with detectives and tries to find these things out.

I never put my arms around John Gotti, Al Capone or Lucky Luciano.

I find these shows very touching sometimes.

These are icons to be treasured.

A great chef is an artist that I truly respect.

It's a word called symbiotic, you send the messages and it comes back in return. Together, it's a wonderful thing, it's why television is so great and film can never reach.

Also the pictures themselves give a visual to the audience tuning in, that makes them a very important part of law enforcement, or pulling families together.

Now on the other hand, if someone is selling a product, opening a dance studio, or has some other aim to help themselves, then I tend to look askance at some of these strange stories from outer space.