No other group has internalized its self-hatred as much as blacks have. It would be difficult to find other groups who behave similarly in that their most esteemed members berate its poorest members.
[Whites] must reassert our identity and our solidarity, and we must do so in explicitly racial terms through the articulation of a racial consciousness as whites. The civilization that we as whites created in Europe and America could not have developed apart from the genetic endowments of the creating people, nor is there any reason to believe that civilization can be successfully transmitted to a different people.
This quotation got him fired by the very conservative Washington Times.
My mother bore me in the southern wild, And I am black, but O! my soul is white; White as an angel is the English child, But I am black as if bereaved of light.
I am a Negro: Black as the night is black, Black like the depths of my Africa.
We must give Italians a sense of race.
We must stand up and say, "I'm black and I'm beautiful," and this self-affirmation is the black man's need, made compelling by the white man's crimes against him.
I think the play offers (white Americans) a different way to look at black Americans For instance, in 'Fences' they see a garbageman, a person they don't really look at, although they see a garbageman every day. By looking at Troy's life, white people find out that the content of this black garbageman's life is affected by the same things- love, honor, beauty, betrayal, duty. Recognizing that these things are as much part of his life as theirs can affect how they think about and deal with black people in their lives.
We must realise that prophetic cry of black students: Black man you are on your own!
The history of the American Negro is the history of this strife, - this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost... He simply wishes to make it possible for a man to be both a Negro and an American.
I'm a black American playwright. I couldn't be anything else. I make my art out of black American culture; they're all cut out of the same cloth. That's who I am; that's who I write about.
The Negro loves America enough to criticize her fundamentally. Most white Americans simply can't be bothered.
Being alive and being a woman is all I got, but being colored is a metaphysical dilemma I haven't conquered yet.
I think it's important to realize that I was actually black before the election.
Ignorance of how we are shaped racially is the first sign of privilege. In other words. It is a privilege to ignore the consequences of race in America.
In [Ralph] Ellison's case, it's more psychological than it is phenomenal, and it's conditioned by anger, animosity, and lack of desire to engage with the black body. There was always simultaneity that had nothing to do with visuality. You can be there and not be there at the same time and be fully visible all the time. That's what really struck me about Ellison .
Every day of my life I walk with the idea that I am black, no matter how successful I am. And our success is tempered by that; you're successful in this way given the fact you are black, and most blacks don't get to that point.
Miss America was always white. All the beautiful brown women in America, beautiful sun tans, beautiful shapes, all types of complexions, but she always was white.And Miss World was always white, and Miss Universe was always white.And the angel fruit cake was the white cake and the devil food cake was the chocolate cake.I said, 'Momma, why is everything white?' I always wondered. And the President lived in the White House.
Artists are the antennae of the race.
Growing up in New Orleans, I was always the only black kid, or one of two, on the school soccer team. While I was always conscious of this status, what took precedent was my unfettered love of the game.
A little black girl yearns for the blue eyes of a little white girl, and the horror at the heart of her yearning is exceeded only by the evil of fulfillment
a white person who claims to have no impediment of vision in this country is not, I think, telling the whole truth. And when it comes to race relations, not telling the whole truth about the fog one inhabits slows down the work of groping forward.
Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.
I who have gone the gamut from an almost angry rejection of my dark skin by some of my brainwashed brothers and sisters to a surprised queenhood in the new Black sunam qualified to enter at least the kindergarten of new consciousness now... I have hopes for myself.
I think that [Eddie Murphy's famous "White Like Me"] is probably the first time I thought, "Oh. Being black is different. That is a totally different experience."
No one ever talks about the moment you found that you were white. Or the moment you found out you were black. That's a profound revelation. The minute you find that out, something happens. You have to renegotiate everything.