Mr Tony Hopkins says he's willing to do it if he likes the script.
Money is not the driving force behind my decisions to accept or reject a project.
At the end of the day, though, there are a huge number of considerations that our management team go through before accepting any project - checking out the license is just one of them.
I was delighted when Ashutosh Gowariker offered me the role of 'Sakina Begum.'
You can't control the quality of projects that are coming to you, so if you get several in a row that are quality, you take them.
Lack of documentation is becoming a problem for acceptance.
You know, I've always been very open to any project.
It was a great circumstance when I received the script of [Chloe] and Atom [Egoyan] said he wanted me to do it. I was inclined to say 'yes' immediately.
It's never a script that makes me decide to accept a film or not.
If someone offered me a movie, I will take your script.
Architects are pretty much high-class whores. We can turn down projects the way they can turn down some clients, but we've both got to say yes to someone if we want to stay in business.
Whenever I like a character or a script, I take up the project and leave the rest to the audience.
Because of the way the business is structured, I have sometimes turned down scripts that I might otherwise have accepted had I known who was directing them.
The only thing that we as actors really can control is to be able to say 'yes' or 'no' to the material.
