Personalized Design Quotes

I have a pair of my signature shoes, and I can't believe I got my own shoe. That's amazing!

That's what Archie did - built a house nobody could anticipate a need for, except himself, a house that was invisible to everyone else.

Whatever I design, it has to please my eye. If I go to work on an office block, I'll draw the office that I want to walk into. If it's a piece of crystal, it must feel the way I want it to feel in my hand. If it's women's wear, it must be something I'd like to see my wife dressed in.

You work around a body and adapt the clothes to your own customer, and this is the interesting part. This is why the haute couture exists: because in ready-to-wear, you have not too much fitting.

Bill Sofield has the ability to understand the architecture of a space and how to utilize it in the most beautiful way. He can create completely different styles for his clients based on who they are and what their taste is. Our efforts have always been collaborative, and I value what he brings to the table architecturally and aesthetically.

I never thought that tailoring was something that normal people did; I just thought that it was something that guys who had suits made of Italian silk depended on, and I wish someone had told me what a difference tailoring makes!

It takes eight to nine months for a Berluti client to get a pair of custom-made shoes and it's fine. I was always against see now/buy now, as I don't think it's relevant to what we do and is not a good image of luxury.

My kitchen was built for my body. It forms a 'U' in the middle of the living room and dining room. It's not huge, because I don't like huge kitchens.

Somebody who's designing something for himself has at least got a market of one that he's very close to.

I like to think of my customer and make sure that season after season she is getting what she wants. Ultimately, I suppose I have an image of myself. That is the person I am designing for - a woman who loves and appreciates fashion and luxury, and somebody who wants to feel empowered with the best version of themselves.

With couture, you're going right to the consumer, and that's something we learned from doing trunk shows. You're meeting the client; you're finding out what they like and what they don't like. You've really got your customer there in front of you, so you know what works and what doesn't.

You know, you have to do homework. You listen to who they are, what they do. I also compare it to designing clothes for people. If somebody brings in Tilda Swinton, you're not going to give her the same dress you'd give Gabourey Sidibe. Everybody looks different in a different line, a different color. The same thing with the way people speak.

So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.

Everyone should have a tailor. David Wilkes, the guy who does my stuff, is like, 'Well you're a writer - do you want a special pen compartment or something?' Bespoke: That's the term you want to get out there.