Night Clubs Quotes

I don't do the whole L.A. nightlife thing.

We've had great experiences in Israel - besides traveling around, we got to go to some clubs. We didn't really know how the nightlife would be in Tel Aviv, and we were surprised how big the party was and what a high level the clubs and music were at.

I've never been a junkie, and never will be. I just like going out late to clubs with friends and listening to music. Always have done. It's not that unusual for girls of 26.

There's a tendency to make more money at concerts. That's from a financial standpoint. Night clubs have a better feel, better contact between the artist and the audience.

When I got old enough to go to night clubs to hear that music at the age of 15.

Our nights didn't begin until after noon. Because in the old days, you'd start Birdland at 8:30 or 9 pm and play until 4 in the morning. Then you'd go out to the corner and talk to a couple of musicians - I used to talk to Oscar Pettiford a whole lot - you'd stand there till 7, 8 or 9, or else go down to the jam session at Minton's.

I've never been into parties, premieres or night-clubbing.

If you go to America, so many club nights finish at 1 A. M. and it's so lame.

I was inspired by a lot of people when I was young. Every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.

Night clubs scare me. They're dark and they stink and they're dangerous and everybody's drunk.

Northern soul was huge in Manchester in the '70s and '80s; I went to a lot of all-nighters.

There was a time I'd sing and dance at night clubs, but now I don't do that.

At four o'clock in the morning most people have been asleep for hours, but at four o'clock in the morning the night-club children of a few years ago were just getting hot. The band jazzed at full blast. The air was so thick you could pick it up in handfulls and through it around like snowballs. The dance-floors were crowded with couples who couldn't do anything but wiggle hips and feet.

I was going to clubs in Manhattan when I was 14.

There's actually a song called 'Vegas Lights,' which I wanted to be an anthem for Vegas, that represented how I felt when I went to the clubs. I felt this weird energy where everybody was having a good time, and it didn't matter. Dancing like nobody's watching. It was kind of beautiful.

I grew up in the West End, so my whole background was living among theatres and musicals and the West End's coffee bars and clubs. It's kind of obvious that one day I should do something like that.

If it is gay, ribald and lascivious night-life you are after, Israel is not the place for you. The night clubs you do find are nearer in spirit to a YMCA than to dens of iniquity.

'Hairspray' was my first Broadway show. In the meantime, after the show was over, I would go down and do gigs at these clubs that I wasn't even old enough to get into. That continued on, and I think what ended up happening was that I just got these incredible opportunities on Broadway.

The only dancing I did was at the discotheques. I was a very good disco dancer. I say that I learned disco dancing at the wrong places.

'Vanity Fair' caught me at a very exciting time in my life filled with night clubs, international fashion shows, celebrities and lots of cash to go around. Sometimes things just fall into place. 'Vanity Fair' was one of those things.

I learned everything from my friends and just constant gigging in night clubs, eight sets a night!

I had a record called 'Touchdown.' It was really bubbling in my city, and I used to go to different clubs and perform.

Coming out of a club and going into a new one is never easy.

In New York there used to be some very good clubs with amazing sound systems. Techno was part of the process.

Some of my songs are turnt up, but that's just 'cause I have to make 'em like that so the clubs can play them.