narrative portrayal Quotes

To us, the difference between the #‎ photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from #‎ photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle.

Perfection belongs to narrated events, not to those we live.

I just know that when I go onstage, I give everything I have, not only my feet, not only my legs, not only my body. I try to tell a story. Sometimes I am able to cry because I feel like it. Sometimes I am able to love because I feel like it.

I enjoy telling these stories that I ultimately think get a disservice on a lot of network television. I enjoy getting people to change their perspective. I enjoy pushing myself into learning and understanding things from a very different point of view. It's scary to do that. It's scary to kind of put yourself in somebody else's position.

There is only one expert who is qualified to examine the souls and the life of a people and make a valuable report - the native novelist. ... And when a thousand able novels have been written, there you have the soul of the people; and not anywhere else can these be had.

If something produces an undue amount of pleasure or undue amount of displeasure, it's going to be judged differently and it's going to be introduced in your narrative with a different size, with a different development. So that is the next element to superimpose on the sequencing element. And in fact, that element is so powerful that very often it can trump the sequencing event, that the sequencing aspect.

All poets and story tellers alive today make a single brotherhood; they are engaged in a single work, picturing our human life. Whoever pictures life as he sees it, reassembles in his own way the details of existence which affect him deeply, and so creates a spiritual world of his own.

The first function of violence in Native American literatures is simply to acknowledge that violence is implicit, like gravity and sunlight, in the world and our relations with the world.

I think the book is less emotional than the film. With the film, the emotions are much more raw and in front. In the book, they are kind of ironized and seen through comedy.

Books are almost always better than the movies made from them, because there are things books do well and things movies do well, but usually those things don't overlap: the same with comics and animation.

Is to throw together events from my own life, fictionalizing to add color—it’s a pot boiler really, but I think it will show how isolated a person feels when he is suffering a breakdown . . . I’ve tried to picture my world and the people in it as seen through the distorting lens of a bell jar.