Now, after 18 years, not a sign of Lovecraft in my work.
I tend to look way back for my inspiration: H.P. Lovecraft, Edgar Allen Poe.
I think being an archer is much more integral to Green Arrow and his mythos than it is to Hawkeye.
What keeps the world from reverting to the Neanderthal with each generation is the continuing, ongoing mythos... the huge body of common knowledge that unites our minds as cells are united in the body of man.
I wanted to write a story set in the Lovecraftian universe that didn't gloss over the uglier implications of his worldview.
I should think just about every young writer - which I was at the time - would be influenced by HPL. As an American writer of weird fiction, he was at the top of the class.
People knew there were two ways of coming at truth. One was science, or what the Greeks called Logos, reason, logic. And that was essential that the discourse of science or logic related directed to the external world. The other was mythos, what the Greeks called myth, which didn't mean a fantasy story, but it was a narrative associated with ritual and ethical practice but it helped us to address problems for which there were no easy answers, like mortality, cruelty, the sorrow that overtakes us all that's part of the human condition. And these two were not in opposition, we needed both.
I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
I think there's a lot of mythos about what's required in acting.
Alongside the mythos of the eternal free soul stands the Myth, the religion of the blood.
A science can diagnose a cancer and can even find a cure for it, but it can't, and a scientist will be the first to say, it's can't help you to deal with the stress and disappointment and terror that comes with a diagnosis, and nor can it help you to die well, like Socrates, kindly, not railing against faith, but in possession of your own death. For these imponderable questions people have turned to mythos.
I'm not a huge Lovecraft fan as far as that goes; I think there are some stories of his that are really quite wonderful, but for the most part, I have great difficulties with his prose - and the more you know about the man, the harder it is to separate him from the work in many ways.
Because of its rhetorical power, the Founding Fathers mythos is always going to be invoked for rhetorical legitimacy.
See {77811} for more on this subject.
What is essential to understand at this point is that until now there was no such thing as mind and matter, subject and object, form and substance. Those divisions are just dialectical inventions that came later...They are just ghosts, immortal gods of the modern mythos which appear to us to be real because we are within that mythos. But in reality they are just as much an artistic creation as the anthropomorphic gods they replaced.
I have found in black metal the lyrics are profoundly beautiful... a pathos and mythos at the same time.
The mythos-over-logos argument points to the fact that each child is born as ignorant as any caveman. What keeps the world from reverting to the Neandertal with each generation is the continuing, ongoing mythos, transformed into logos but still mythos, the huge body of common knowledge that unites our minds as cells are united in the body of man. To feel that one is not so united, that one can accept or discard this mythos as one pleases, is not to understand what the mythos is.
Like every human we have to categorize ourselves, so you kind of start to build a mythos 'cause I had no information about [ biological mother]. So you have to build a mythos around yourself. And so my mythos included me not being wanted or me being a wretched person, which is just great fertilizer for comedy.