I have a Yamaha YC-45D organ in my studio. It's actually Terry Riley's favorite keyboard, so if you find old clips of him on YouTube, he's usually playing one of these.
If there's anybody who knew how to play in a studio, it was Duane Allman.
I have my own studio that I sing in.
I remember, my first time in the studio, I was with my dad, Dark Skies. I was, like, 4 years old. It changed my life. I was like, 'I've found my playground.'
But when I record my next studio album, of course I'll do the lead vocals.
I love working with different musicians in the studio, that's a real joy working with someone for the first time.
I love performing live, especially when I get in the zone. But the studio is really becoming a place I have grown to love.
Tuff Gong is the name of our father's enterprise, and we're continuing his legacy.
I definitely like making music in the studio, but I never had it out to make a CD specifically.
It never gets boring for me because there's so many different things to explore in the studio. The studio's become the sanctuary that people have come in and found new things out about themselves, as weird as that sounds. But it's true, I'm no different. I've made some crazy hard records, and I've made a jazz album.
That's when we decided to stop in '66. Everyone thought we toured for years, you know, but we didn't. I joined in '62, and we'd finished touring in '66 to go into the studio where we could hear each other... and create any fantasy that came out of anybody's brain.
You don't really know what you're going to get until you're actually in Abbey Road. That's where I did all the music, in The Beatles' place.
I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus.
When I started working on my own music, I didn't have the chance to record in a big music studio, so I had to record everything myself.
I'm never not in the studio creating; it's like my second home.
I have known Chithra long before I became a composer. Her growth has amazed me; she had not seemed extraordinary when I saw her singing at shows or recording tracks, for singers like S. Janaki and P. Susheela, at Tharangini Studio in Thiruvananthapuram.
All I ever wanted was to make scrilla Have a recording session with J Dilla.
I think I'm the only singer who doesn't have a temper. The only time I got angry was at a music studio when I was made to wait for three hours without being informed about the delay in the recording.
I played around with GarageBand before, but I'd never actually made a proper song. So it was getting into the studio with him where I made my first proper song. I've always loved creative writing, so I had done that as well.
I got into the studio when I was thirteen. At the age of twelve I was doing public performances.
I look forward to the future - and going into the studio to make new music.
Shortly after I moved to Los Angeles, I was looking for work, and I happened to be invited to Ray's studio and sat in and played on a couple of his demos. I didn't charge him a dime for it. I was on cloud nine to be working in the same room as Ray Charles, one of my huge idols.
A lot of getting a song done is booking the studio time.
I'm most comfortable when I'm in the studio and music playing.
I have a fantastic studio in my home, and it's my biggest toy. I have about a half a million dollars worth of musical equipment in my house.
