Music Mixing Quotes

I played more of an advisory role with Public Enemy. I really trusted them to make the music that they wanted to make, and the way The Bomb Squad worked with the... they created their whole own world of music.

When I was nine, ten, I was super young, but I installed a program on my computer so I could start producing music. I just started messing around. Then, after a couple of years, I got better. I actually learned some tricks, so I knew what I was doing instead of just messing.

I'm a good music provider, and I'm fine with that. I'm a quality music manufacturer.

DJs are in incredible competition, musically. And they are the most musically creative and sensitive people in all the music charts. I am amazed how they are.

A lot of people have been sending me beats, I've just been getting it in.

When we recorded our first album sixteen track machines were the thing.

One day, my mum bought me this music production software for my computer, and I started making beats... I realised it was more like production than a video game, but it was a video game when I was playing it. That's how I got into music production.

My first album was completed in three months.

I not only composed music for my albums but also for the film 'Main, Meri Patni Aur Woh.'

The first time I got into the studio, when I was 17, 18, I got to work with people who were some part of the Cheiron thing, who did all the early Britney Spears stuff, all the early 'NSync stuff.

The best DJs in the world know how to pull in music from all over the place and make it work as a cohesive whole.

I was DJ'ing house music way back when - I'm not like a new house guy.

There's an open door now more than ever to be making any type of beats that you want.

I don't have to be working on an album to record a song.

None of my kids want to be actors. They are actually very interested in being musicians. I think they like the process of film from the outside. Mad is interested in editing. Pax loves music and deejaying.

I made my first mix tape when I was 14.

'Trouble Maker' was a project that worked whenever a song that fit the concept came in.

I know that if I went to other studios, like in Vancouver, that those are set up to be as professional and as true, so it's just a different flavour, it's a different sound, but I think both have their place.

It's much easier to have a diversified career as an electronic musician than it is as a drummer. Nothing against drummers. If you're a drummer, you just wait around for people to ask you to play drums. But if you have your own studio and can make music, you have the ability to approach music a lot differently.

As a producer and DJ, I just like makin' great music and hot records for the club.

When people wanna come buy beats or wanna record a song, I'm trappin'.

I'm a true believer that unless you're Prince or Stevie Wonder - and even Prince is showing that he needs help - not everybody can produce themselves. I'm definitely not that person.

Back in Korea, I'm always in the studio with YG people. I'd be given a song, and I'd cut it.

When I'm doing a set as an artist I'm right in front of the stage the entire time, interacting with the crowd. The DJ set's a little different but they both are great and high energy for the crowd.

Since I was a kid, I always felt the need to share the music I love with as many people as possible, and DJing seemed like the perfect outlet.