ERIK HASSLE

The first time I got into the studio, when I was 17, 18, I got to work with people who were some part of the Cheiron thing, who did all the early Britney Spears stuff, all the early 'NSync stuff.

I stumbled into soul music at a very young age. It had something that really spoke to me.

I spent 2010-2012 in Stockholm, trying to figure things out. I caught up on life! At the end of 2012, the relationship I was in ended, and I took the first plane to L.A. where my Swedish label has been setting up base. I felt so much more inspired to write and record than I had ever been, and the songs just started coming.

The first seven years of my life, me, my mom and dad and my four older siblings lived in a suburb of Stockholm, and my mom was very active with directing theater. So I basically grew up at the theater on the floors of the shows, so I was really surrounded with music at a young age.

I think touring in America lives up to the myth, in all ways of what touring is. So many pretty cities, and it's pretty easy, compared to touring other places. I'm fascinated by America. Great crowds - people are very musical. I've been getting better throughout the tour in America, relating to people. At the start I was a bit stiff, and I'm starting to relax.

I always go in very emotionally when I'm doing music. Sad or happy, I'm always into it. I have a hard time writing for other people, writing with someone else in mind.

I was brought up with a lot of love in my family, and I've always been supported. My family has always protected me in a sort of manic way.

I'm a real genre jumper, but all good music belongs to the same family. I love Dave Sitek, a producer I've been working with a lot since I moved to L.A. He will change the game.

I'm from a rural town outside of Stockholm, so in coming to L.A., I've been able to not think that much about my background. It's much easier for me in this big town, this big bubble to isolate myself from that and be a little more self-confident. I'm here to do my take on soul.

I'm definitely a singer, but I play. I write music too, but it's all coming from the same source. I have never learned an instrument any other way than by myself.

I spent 2010-2012 in Stockholm, trying to figure things out. I caught up on life! At the end of 2012, the relationship I was in ended, and I took the first plane to L.A. where my Swedish label has been setting up base. I felt so much more inspired to write and record than I had ever been, and the songs just started coming.

I don't always have to be on what is the newest in music is. I'm slowly educating myself in music. For me, I feel more free in not knowing everything in what I'm doing. You can start making up too many rules for yourself. It should just be love and fun and feeling good.

I stumbled into soul music at a very young age. It had something that really spoke to me.

Musicians were always coming and going in our house. My parents didn't play much, but they were forever arranging these parties for artists. As a result, they didn't have to play that many records.

The first seven years of my life, me, my mom and dad and my four older siblings lived in a suburb of Stockholm, and my mom was very active with directing theater. So I basically grew up at the theater on the floors of the shows, so I was really surrounded with music at a young age.

I grew up listening to a lot of soul music, which has probably informed the way that I sing on my tracks.

I'm a real genre jumper, but all good music belongs to the same family. I love Dave Sitek, a producer I've been working with a lot since I moved to L.A. He will change the game.

I was brought up with a lot of love in my family, and I've always been supported. My family has always protected me in a sort of manic way.

L.A. is such an exotic city to me, and it is just a big bubble. If you accept the bubble and accept how isolated it is. It can be a very creative place, and I find it easy to focus.

I don't really care about a song or lyrics; I'm really just interested in the way people emphasize words. That's what makes a strong impact on me.

The first time I got into the studio, when I was 17, 18, I got to work with people who were some part of the Cheiron thing, who did all the early Britney Spears stuff, all the early 'NSync stuff.

I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients. I love hip hop.

I always go in very emotionally when I'm doing music. Sad or happy, I'm always into it. I have a hard time writing for other people, writing with someone else in mind.

I'm from a rural town outside of Stockholm, so in coming to L.A., I've been able to not think that much about my background. It's much easier for me in this big town, this big bubble to isolate myself from that and be a little more self-confident. I'm here to do my take on soul.

I was 17, still in school, and my manager saw me in school, and then we hooked up, and after that, I went straight into making music.

I don't know about the hair. I've had it since I was a kid, and when I look at myself in the mirror, it looks quite normal. But then when I look at myself in a photo, I realise that my hair is basically bigger than my head! There's quite a lot of interest in my hair, which is strange, as for me, it's normal!

I'm definitely a singer, but I play. I write music too, but it's all coming from the same source. I have never learned an instrument any other way than by myself.

When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.

America and Europe are getting closer to each other. In the U.S. you've always had hip - hop, the blues, soul, and rock. For the last decade, there has always been a lot of electronic music in Europe. When I was just at Coachella, I noticed how the music they play there has become electronic, techno, deep house, more European - so I think it's more similar than before.

I stumbled into soul music at a very young age. It had something that really spoke to me. Nowadays it's not only American gospel or soul music, it's whenever somebody decides to do music in a way that's honest and passionate. I got into the Motown songs. It had to do with where I come from - we don't really have that where I come from, the sense of mystery and the pain. Sweden has been a wealthy and happy country for some time now. I think I got really drawn to that.

L.A. has been really inspiring towards me for the last one and a half years. There is a lot going on here now. I've been here before, when I was younger, but I've never had this feeling about it. There are a lot of creative things bubbling in the atmosphere. It's so far away from everything else, which makes it a strange, exotic city. When you want to discover yourself, I think this is a good place to be. You don't feel like you are in a real place and I think that can be very good for making music or art.

I think touring in America lives up to the myth, in all ways of what touring is. So many pretty cities, and it's pretty easy, compared to touring other places. I'm fascinated by America. Great crowds - people are very musical. I've been getting better throughout the tour in America, relating to people. At the start I was a bit stiff, and I'm starting to relax.

I always go in very emotionally when I'm doing music. Sad or happy, I'm always into it.