I have nothing against cosmetic procedures, but I don't want my face lasered. Also, people are naive about how much you can do with make-up and lighting, and I've learned from the best.
Men become much more attractive when they start looking older. But it doesn't do much for women, though we do have an advantage: make-up.
We should celebrate make-up. It's a lucrative industry; a massive employer.
That's kind of how my jobs have happened over the years. It's been referrals throughout the creature effects/make-up world. The drawings happen, and they see that it's a tall, skinny thing, and they go, 'Let's get Doug Jones for that.'
I used to do my own make-up. I used to have this doll that had those big eyelashes on the top and bottom, and I think I copied her when I was doing my eyes, putting false eyelashes on the bottom as well as the top. So I came up with that look myself.
There were no clippings of Ambedkar. The only thing I had was a two-and-a-half minute film which I saw countless times. Nobody knows how he walked, how he spoke, or how he behaved. I had to conceive all those things in my mind. I had to work a lot on the make-up, too.
I have a wonderful make-up crew. They're the same people restoring the Statue of Liberty.
If you saw me without concealer, you would see that I have raccoon eyes. And I think my forehead is too small. I am not quintessentially beautiful. I am photogenic, but that's only because I have learned how to make the best of what I've got from the make-up artists I have worked with.
I absolutely loved learning how to do stage make-up at 16: it was so interesting to learn all about what you can do with make-up, such as contouring or shadowing eyes. We had a lot of fun.
I love make-up and the process of transforming my face for a night out, but I definitely don't believe in wearing it every day. I think it's really important to be comfortable with the way you look without it.
I started modelling when I was 13, so I learned a lot of things. I actually love doing make-up on other people, too.
It's people's own prerogative to be able to look at something and know the difference between 'this is what someone looks like with make-up on' and 'this is what they look like in real life.'
I have a chameleon quality and I'm able to transform completely to different looks from different decades, depending on the hair colour or make-up change.
I remember being a kid and trying to do make-up and being so bad at it - but my sister Kylie was so good. It came so naturally to her. For me, it was never natural.
Casting directors said that I look like an urban girl with sharp features. Maybe that is true, but we are living at a time where a lot of advanced make-up techniques are available.
Hair and make-up people don't get enough credit for what they do. It's not just making people look good. It's really creating the character.
I was certain when I was about 10 years old that I was going to be a special effects artist or a make-up man. I loved that stuff and pursued it for quite some time, actually.
The talent of the people in Brazil was extraordinary. I thought all of the hair and make-up was really fantastic. The aesthetic there is really something to behold. They just have such a great sense of taste.
If you’re thinking about coming to Tom Savini’s Special Make-Up Effects Program just STOP. Stop THINKING about it and just DO it. Aren’t we talking about making your dreams come true? Our students’ attitude is ‘This is school?’… because they are having so much fun every day doing what they love… and… they get a degree!
I'm not always in a full face of make-up! That's actually one of the things I like about make-up - that you can strip it away and show your vulnerability.
If I like a make-up artist's look, even if nobody knows about her, I use her. New people give me energy.
People don't realize that doing a horror movie is hard work. You're out there all day screaming your lungs out, breathing in toxic make-up fumes, rolling around in the dirt, getting your eyebrows burned off - it's not like doing a sitcom.
I gradually work myself into a frenzy as the shoot approaches, while we're choosing the costumes or working with the make-up artist. I'm not so much interested in my character as the film itself.
