Magazine Layout Quotes

Throughout high school, I was obsessed with magazines. I used to just comb through them and plaster things on my wall.

By the time I came to the States, I really understood how a magazine works. I came to 'Vogue' as creative director, and three years later I went back to London to be editor in chief of British 'Vogue.'

I'm definitely not a monthly guy. Probably never will be. I'm simply in awe of the guys who do monthly books well... hell, in awe of people who do monthlies period.

I love coming in and changing magazines.

For eight months, from January to August of 2007, I filmed with Anna Wintour and her team at 'Vogue' as they created the September 2007 issue of the magazine.

A person has to keep something to herself or you're life is just a layout in a magazine.

I actually don't know how magazines are produced, I'll be honest with you. I have no idea.

I used to think of the cartoons as a magazine within a magazine. First you go through and read all the cartoons, and then you go back and read the articles.

I have very strong theories about magazine publishing. And I think that it is the most personal form of journalism. And I think that a magazine is an old friend.

I was so passionate about being in the magazine industry, even when I first started at 'Mirabella.'

There's a curiosity about what magazine editors do, the behind-the-curtain experience.

I'm really excited to see my vision for the 'British Vogue' team come to fruition.

I was the Playmate editor for 'Playboy' for two years. I produced two years' worth of centerfolds. I did everything on that, from picking the girls to designing the sets to picking the wardrobe, coming up with themes, assigning the photographer, down to editing the photos and approving the retouching.

I think one of the best jobs in the universe must be being the editor of 'The New Yorker', but there are a number of magazines that I'd be excited to be the editor of. They would be 'Wired', 'The New Yorker' and probably, 'Vogue'.

I was the executive editor on a little magazine called Greek Accent, whose only claim to fame is that its art director went on to be the art director of Discover for many years.

Every since high school I've been drawn to magazines.

There are so many magazines and so many editors out there that you have to be different.

I think in conventional magazine wisdom, you need to have a redesign every decade or so.