Literary Precision Quotes

For every Scott Fitzgerald concerned with the precise word and the selection of relevant incident, there are a hundred American writers, many well-regarded, who appear to believe that one word is just as good as another and that everything which occurs to them is worth putting down.

I confess to wincing every so often at a poorly chosen word, a mangled sentence, an expression of emotion that seems indulgent or overly practiced. I have the urge to cut the book by fifty pages or so, possessed as I am with a keener appreciation for brevity.

As a story writer, you have work with sharp but relatively small tools, the picks of metaphor, the shovel blade of images, the trowel of point of view, and then you delicately lift and brush in the revision with love and care knowing that one slip, and you might damage an extremely delicate thing.

I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.

Cormac McCarthy's language is perfect. He is in my view the greatest living American prose stylist.

Under adversity, under oppression, the words begin to fail, the easy words begin to fail. In order to convey things accurately, the human being is almost forced to find the most precise words possible, which is a precondition for literature.

Poetry contains nothing haphazard.

From a cognitive standpoint, I'm very aware that you have no room for error in a picture book. Every word counts.

Art, it seems to me, should simplify finding what conventions of form and what detail one can do without and yet preserve the spirit of the whole - so that all that one has suppressed and cut away is there to the reader's consciousness as much as if it were in type on the page.

One can only continue to expect to be read if one omits everything that is unimportant.

Novels are more difficult simply because they are longer and require more juggling, but short stories are closer to perfection, if you can get the language right.

Steve Martin is such an exquisite and precise writer. Everything is so clear; it's like a bell. He says what he means and says it so beautifully.

I am an obsessive rewriter, doing one draft and then another and another, usually five. In a way, I have nothing to say, but a great deal to add.

I have a boundless passion for Flaubert. It's unthinkable to me that someone might not have read 'Madame Bovary.' He writes with a scalpel. Everything has meaning. My students were not allowed not to like him!

Playing with different genres and perspectives and ways of telling stories is one of the perks of being a novelist, but at the same time, I want precision. And in order to be precise about stuff, you have to get personal. Symbolism is very boring.

A writer should have the precision of a poet and the imagination of a scientist.

I love anything by Joan Didion. Incidentally, she was one of the local moms when I was growing up in Point Dume. She always reminded me a little bit of my mother, so I feel a great affinity. I love the precision of Didion's writing. There's a construction and a craftsmanship to her sentences that's imbued with so much emotion.

Every syllable that can be struck out is pure profit, and every page that can be economised is a five-per-cent dividend. Nature rebels against this rule; the flesh is weak, and shrinks from the scissors; I groan in retrospect over the weak.

'Madame Bovary' advanced slowly, as slowly as it would have to have, given an author who held himself accountable to each word, that it be the right word, of which there could be only one.

The writer who neglects punctuation, or mispunctuates, is liable to be misunderstood for the want of merely a comma, it often occurs that an axiom appears a paradox, or that a sarcasm is converted into a sermonoid.

[George Saunders] is very precise about what he is doing. There isn't a thing left to chance.

There is no room for the impurities of literature in an essay.... the essay must be pure--pure like water or pure like wine, but pure from dullness, deadness, and deposits of extraneous matter.

Poetry is very crafted. You can't have too many words. It needs compression. It has to be spare, just the right number of words.