I think that there is a sort of spiritual power that is translating into our bodies as we perform. Performers give, and giving is so important. It can heal. That is my experience, anyway.
Sometimes it's good to just sing and let the words come out. Whatever comes out is valid because it's what you were thinking.
Usually I am on a work for a long stretch, until a moment arrives when the air of the arbitrary vanishes, and the paint falls into positions that feel destined.
I did feel that a part of my work was to empty myself out and let it move through me.
Writing is like jazz. It can be learned, but it can't be taught.
Awakening your spiritual side is really what artists do. When you hit a groove, it's not you; it's the spirit world.
I make spaces that are calm rather than confrontational. I seek a certain kind of logic that allows you to move in space and perceive it as beautiful and rational. Clarity is a worthwhile quality.
I often start writing in order to excite an expansive emotion.
To the audience, it's like I'm changing the subject every five seconds, but to me, my show's almost like a 90-minute song that I know exactly. I wrote every note, and I know exactly where everything is.
When I'm out there, it's not even me who is doing the acting and the wrestling and the moving. It is something that I feel like I see channels more than anything else. So, for me, I tune into the right frequency. I get turned on and we're ready for take off.
