I've never gone through an audition process or anything. In most of my decisions like that, I just kind of feel it out: You know, do I feel comfortable with this person?
I have never gone to a doctor in my adult life, feeling instinctively that doctors meant either cutting or, just as bad, diet.
I've never gone wrong trusting my gut.
I didn't go to film school. I had been an actor in movies, I had been in plays, and then I just sort of jumped into it.
Gut feeling is all about the experiences that you have had in your life. It is about being in difficult scenarios, knowing what worked, what did not work, and then taking a decision.
I'm quite good at knowing, 'This isn't right for me,' or, 'That person will be really good at singing that.'
I make all my decisions on intuition. But then, I must know why I made that decision. I throw a spear into the darkness. That is intuition. Then I must send an army into the darkness to find the spear. That is intellect.
Some directors work from day to day. I work from moment to moment.
My career is not well thought out. Every choice has been instinctive and, quite literally, impulsive in many ways.
Trusting our intuition often saves us from disaster.
understanding the true nature of instinctive decision making requires us to be forgiving of those people trapped in circumstances where good judgment is imperiled.
I trust my instincts. I don't distrust them. They haven't led me astray. It's when I've made up my mind to be efficient that is when I have gone wrong.
I think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process.
I rely far more on gut instinct than researching huge amounts of statistics.
Warren Buffet told me once and he said always follow your gut. When you have that gut feeling, you have to go with don't go back on it.
I'm very instinctive when I choose my roles, and usually, the number one thing has to be the director.
I have no 'dream role.' It just comes to me; it's very intuitive, and I say, 'OK, I have to do this now.' It's not logical; just, 'I have to jump into this very strange character,' or something like that. I can't even explain it.
I'm quite intuitive about what I pick. Often it's to do with what I've just done and how I'm feeling.
People always want an explanation about everything and I cannot give it to them. Because I don't know myself. 'Why did you do a pair of pants like that?' I have no idea. I'm not going to have a 20-minute political discussion about the necessity for slashed, painted leather jeans. Basically, I don't know more than you.
The final act of business judgment is intuitive.
I read a script and I know immediately whether that role is for me or not.
I'm not a big believer in slavishly following research. It's one of the things that's wrong with television is that if you throw the whole - the decision-making process to the research department, you're not making any instinctive, visceral judgments about programs, which are show business.
There are some roles that are a no-brainer. You just have a sure, instinctive 'Yes!'
Everything I do is just really my intuition, and every time I go against my intuition, it's a mistake. Even though I may sit down and analyze and intellectualize something on paper, if I go against my gut feeling, it's wrong.
I tend to find in my musical world people end up appearing, and I'm pretty good at being able to discern right away whether or not they are going to be appropriate based on their personality.