Identity Performance Quotes

In our subconscious, we all know we're playing roles.

I find being Irish quite a wearing thing. It takes so much work because it is a social construction. People think you are going to be this, this, and this.

I have a lot of nice Italian winter clothes that make me look like a sophisticated Lebanese professor, so my friend Robert and I go around pretending to be experts in Arabic politics. It doesn't work in the summer though. I don't have the right clothes.

It sometimes looks as though woman would not be woman unless man insisted upon it, since she tends so markedly to be just a human being when away from men, and only on their approach does she begin to play her required role.

I've been a Danish prince, a Texas slave-dealer, an Arab sheik, a Cheyenne Dog Soldier, and a Yankee navy lieutenant in my time, among other things, and none of 'em was as hard to sustain as my lifetime's impersonation of a British officer and gentleman.

Because of my Asian-ness, I couldn't be anonymous - what I said, what I ate, what I did at the weekend were startlingly different to what everyone else did. I was also a performer, quick and chameleon-like, good at accents, so that made me stand out.

You can't be a full tranny every day of the week that's an exaggerated part of my personality.

I see the whole episode in my memory as if it were a very crisply photographed black and white movie. Directed by Bergman perhaps.We are playing ourselves in the movie version. If only we could escape from always having to play ourselves !

Being a black rapper is like being a Southern, socialite woman: You're always worried about appearances.

There is a history of gay people pretending to be straight. I want to balance the sides. I'm a straight person pretending to be gay. I've had a lot of people to imitate. It's easy when you're British; we're camp by nature, anyway.

I know a lot about being white - because I have to, I live in the white world. A white person doesn't live in the Indian world. I have to be white every day.

We all have to wear social masks in our daily lives to get by.

Far from being a showbiz gimmick, for me dressing as I please has signalled the end of a lifelong performance of straightforward masculinity.

The idea of social performance, that we're always performing identities, is something I got fairly obsessed with. I think it's probably because I am a person who went to 15 different elementary and middle schools. I moved all the time, often having to run out in the middle of the night because my mom couldn't pay the bills. There were schools where I'd be the poor loser kid. There were schools where I'd suddenly be the smart kid or the cool kid, although that was very seldom.

I consciously learned and performed my race like a teacher's pet in an advanced placement course on black masculinity.

In fact, to me it's liberating to not think of identity as some organic property that we have to find and stick to, but actually something that is constructed, or that's imposed, that we can then counter by taking a different route and re-dressing it, and then re-dressing it again, and then re-dressing it again.