Hollywood Blacklist Quotes

I have waited a while before saying anything about the Un-American Activities Committee's current investigation of the Hollywood film industry. I would not be very much surprised if some writers or actors or stagehands, or what not, were found to have Communist leanings, but I was surprised to find that, at the start of the inquiry, some of the big producers were so chicken-hearted about speaking up for the freedom of their industry.

I did my Doctorate on the House Un-American Activities Committee's effect on the American theater.

In the early 50s in the US, there was what was called McCarthyism and the only reason it succeeded was that there was no resistance to it. When they tried the same thing in the 60s it instantly collapsed because people simply laughed at it so they couldn't do it. Even a dictatorship can't do everything it wants. It's got to have some degree of popular support.

It's never been written about, but before the blacklist of Dalton Trumbo and the Hollywood Ten, there was a de facto blacklist by Communists in the movie industry, and there were a lot of them.

At that time [1954], as a result of political events, I was deeply preoccupied by my relations with the Communist Party.

Hedda Hopper was a better direct opponent to [Dalton] Trumbo. We wanted to use Trumbo's battles to represent the larger battles, so the audience could understand the personal sacrifice he went through and the personal damage to his family. The choices were about who were the best representations of his antagonists, which is why we chose as we did.

The blacklist was a time of evil...no one on either side who survived it came through untouched by evil...[Looking] back on this time...it will do no good to search for villains or heroes or saints or devils because there were none; there were only victims.

It was a way to try and shut down what the unions were negotiating for, like better hours and pay. [Dalton] Trumbo and his friends joined the Communists mostly for these reasons.

When I produced Spartacus, the writer was Dalton Trumbo, who spent a year in jail because he would not answer McCarthy's questions about other people. He submitted the picture under the false name of Sam Jackson.

Two planeloads of California actors and directors flew to Washington in support of the Hollywood Ten, and some of us, like John Garfield, came down from New York. There's a very famous Life magazine cover with Bogart and Bacall sitting in the hearing room. I was in between them.

I was living in a terrible time when people were being accused of being communists, and they attacked the movie industry, especially the writers. People couldn't work if they were on the blacklist. The studios banned them. It was the most onerous period in movie history. I don't think we have ever had a period so dark as that.

[Dalton] Trumbo wrote this incredible pamphlet, almost on the level of Tom Paine's 'Common Sense,' called 'The Time of the Toad.' It's an exquisitely written treatise regarding the black list era.

I was convicted of Contempt of Congress which was a just verdict for I had extensive contempt for that Congress and a few other subsequent ones.

I've been blacklisted in Hollywood.

'Trumbo' is conventional in its structure, mixing interviews with archival footage. What I enjoyed most about the film was its liberal use of his own personal letters to friends and family, performed dramatically by well-known actors.

The blacklist against people in the entertainment industry that show up for [Donald] Trump is worse than that blacklist you heard of in Hollywood back in the forties and fifties.

The modern cineplexes are mundane, dull boxes. But 'The Majestic' pays tribute to the movie palaces that made people feel like royalty. It honors a time when pictures helped Americans get through grim periods like the blacklist and the war.

The HUAC did a deal with me. I was pretty much worn down. I had no money. I couldn't borrow.

I worked with Dalton Trumbo, who served time for refusing to give up names of people that were accused of being Communists. I've always admired him.

And there was a deeper, less visible effect of the Truman loyalty program. Seeing its consequences for certain individuals and fearing its intrusion on their own lives, many in the government sought protection by strongly asserting their anti-Communism. In the public action that ensued, policy was based not on reality but, instinctively or deliberately, on personal caution...Those who urged a militant and sometimes military anti-Communism were considered sound, trustworthy and personally safe; those who questioned such a course were politically unsafe, possible even slightly disloyal.

A lot of things I have turned down ended up being a big embarrassment. Like that script, 'The Beaver.' I thought that was one of the worst scripts I had ever read. But everyone said, 'Ooh it's on the Black List.' Yeah, well, good for it. They're a bunch of idiots. I saw the final film, and there were no surprises.

Film and television were out. I was 24, and it went on until I was 36. For an actor, those are your years. I got a great urgency and education during the blacklist, and it made me grow up in a way I never could have before, and in very good ways, too.

McCarthyism

I knew people who were real Communists but never made it onto the blacklist and kept on working. There were also people reputed to be Communists who weren't.

If communism in Hollywood is now mythical, it is only because this Committee conducted three investigations to bring it about. The industry itself did certainly not accomplish this.