Genre Bending Quotes

We were never the cool band to like. They tried to put us into a hair-metal thing, but we weren't really Warrant or Poison. We were always outside the box. I think we had a little niche that nobody had - maybe the funkiness had something to do with it.

Prince, Bootsy Collins, Earth Wind & Fire and Parliament all had albums that sound different. I wanted to show, as a hip-hop producer, I'm one of those that can do anything, because I was raised on so much music aside from rap and hip-hop.

Musically, I'm always gonna take it a little farther, and Lord willing, people are gonna get that and understand that: that there's not really one genre I'm trying to be in, but just as a producer, as a writer, as an artist, that I'm planning on going farther.

Hip hop is doing the new rock thing; there are no rules. They can do anything, really. And that's inspiring.

I just like blending all the genres together but blending them up in a good way. I try to be as free as I can with it.

I feel comfortable in my pop shoes. They let me walk in any direction. I like to go from one extreme to the other. One day I feel that I want to do a song with reggaeton influence, I do it. The next day I feel I need to do a song with rock elements to it, I do it.

I think people were looking for something new in the EDM scene and found it in my music.

I'll make a song with Rick Rubin, a song with Beyonce, a song with Lenny Kravitz. I just believe in making good music. I'm not trying to section myself off into just making hard-core rap music.

It's like with me, I feel like I was never one of those rappers that, you know, stayed in one time warp.

I don't see myself as a pop artist. Like, when you hear 'pop,' you're like, 'Oh, bubblegum, jumpy little girly stuff,' and I feel like, 'Uh-uh. That's not me.'

I think romance is a tool, comedy is a tool and drama is a tool. I really just want to tell stories that challenge the viewer, move people, make you laugh, perhaps push an idea about being open-minded but never settle on a genre or an opinion. I hate genre. I like movies that are original in their approach.

I kept hearing all these rules: 'You can't say that in country music.' 'You can't use that kind of beat.' I became so frustrated. It may have slingshotted me, in a rebellious way, toward doing something different.

The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?

I hate when I get pinned down to a genre. I have a sound, a lane I want to go down, but I never want to be stuck in my song choices.

I like stories with a collision of disparate tones. Look at 'Shameless' or 'House of Lies'. They go from big, silly, and comedic to very real dramatic moments in the wink of an eye.

We do things differently. You don't have to worry about being part of a particular genre. You just go for it.

I pride myself on being the type of artist who can work half in the R&B world and half in the pop world.

I don't really like to stand in one spot. People say that you have your lane or a certain type of music. I don't believe that. You choose your own lane, whichever one you want, then the people decide whether it's good or not.

After I made my first short film that wasn't terrible, people were interested in potentially developing a feature with me. Every time I read a script, it was a bizarre, too-dark, genre-less thing that no one wanted to make.

Coldplay doesn't have to stay within a certain genre; they just go where they go.

If you're writing a detective novel or horror or sci-fi, you want to expand or reinvigorate the genre in your own little way.

I just wanted to make melodies. I started trying to do my own thing and let the melodies make the genre themselves.

I don't trust songs that can be played at a kid's party and a club at the same time. I just don't think it's right. There's something reptilian about that.

When 'Buffy' was on the air, I recorded every single episode on my TiVo. I'm pretty sure my DVR thought I was a fourteen year-old girl. Whatever. The show was incredible. It refused to be pigeonholed.

When I get about five readers I can rub together in one genre, I leave that genre and go somewhere else. And this is due to a vow that I made myself when I started writing - that if I had any success at all, I would not be bound to one form of writing. That I would write what moves me. The only way I can see me surviving and doing more than one book is to present the readers with a Dan Simmons novel, with whatever tropes and protocols from whatever genre I want to borrow them. If that builds a Dan Simmons readership, well then, okay. Otherwise, forget about it. I'd rather drive a truck.