Fourth Dimension Quotes

To me, recordings are little fourth-dimension artifacts, because they already are representatives of past, present, and future, just inherently in their existence.

If Richard Wagner lived today, he would probably work with film instead of music. He already knew back then that the 'Great Art Form' would include a sort of fourth dimension; it was really film he was talking about.

I am out to introduce a psychic shock into my painting, one that is always motivated by pictorial reasoning: that is to say, a fourth dimension.

We are actually fourth dimensional beings in a third dimensional body inhabiting a second dimensional world!

The new painters do not propose, any more than did their predecessors, to be geometers. But it may be said that geometry is to the plastic arts what grammar is to the art of the writer. Today, scholars no longer limit themselves to the three dimensions of Euclid. The painters have been lead quite naturally, one might say by intuition, to preoccupy themselves with the new possibilities of spatial measurement which, in the language of the modern studios, are designated by the term fourth dimension.

Imaginary time is a new dimension, at right angles to ordinary, real time.

As we divest ourselves of once familiar physical objects - digitize and dematerialize - we approach a 'Star Trek' future in which everything can be accessed from the fourth dimension with a few clicks or terse audibles.

Perfect grammar - persistent, continuous, sustained - is the fourth dimension, so to speak; many have sought it, but none has found it.

The book was Maniacs in the Fourth Dimension, by Kilgore Trout. It was about people whose mental diseases couldn't be treated because the causes of the diseases were all in the fourth dimension, and three-dimensional Earthling doctors couldn't see those causes at all, or even imagine them.

There is nothing mysterious about space-time. Every speck of matter, every idea, is a space-time event. We cannot experience anything or conceive of anything that exists outside of space-time. Just as experience precedes all awareness and creative expression, the visual language of our photographs should ever more strongly express the fourth dimensional structure of the real world.

Cinema is a technologically mediated dreamspace, a way to access, a portal to the numinous that unfolded in the fourth dimension, so cinema became sort of a waking dream where we can travel in space and time, where we can travel in mind. This became more than virtual reality, this became a real virtuality.

I think they built Hollywood on the West Coast because they were always dreaming of a New World. When they arrived here, the only way to keep dreaming was to make movies. Film was the fourth dimension.

True time is four-dimensional.

You need virtual reality to understand high level science or high level math. It's very helpful to explain third and fourth dimensional things that people are constantly addressing in quantum physics. But, as soon as you're creating an avatar, and you can live and you can start to feel sensations on VR, that has gone too far.

Design in art, is a recognition of the relation between various things, various elements in the creative flux. You can't invent a design. You recognize it, in the fourth dimension. That is, with your blood and your bones, as well as with your eyes.

Time is not a line but a dimension, like the dimensions of space.

Poetry is a puppet-show, where riders of skyrockets and divers of sea fathoms gossip about the sixth sense and the fourth dimension.

In the 19th century, there were only [the] Army and Navy. In the 20th century, we got airpower as the third dimension of war. In the 21st century, cyber will be the fourth dimension of war. It's another kind of weapon and it is for unlimited range and is very high speed, and, in a very low signature.

How dark it is before the dawn! In reality that was the beginning of my last debauch. I was soon to be catapulted into what I like to call the fourth dimension of existence. I was to know happiness, peace, and usefulness, in a way of life that is incredibly more wonderful as time passes.

The 4D style, or cosmic comics and relativistic humor, is based on Einstein's theory of relativity which I came up with 20 years ago. 4D works use the idea of the fourth dimension, time, playing on such surrealistic and amazing subjects as motion relativity, space curvature and time dilation.

The circle is the synthesis of the greatest oppositions. It combines the concentric and the eccentric in a single form and in equilibrium. Of the three primary forms, it points most clearly to the fourth dimension.

To express dynamic motion through a static moment became for me limited and unsatisfactory. The basic idea was to liberate myself from this old concept and arrive at an image in which the spectator could feel the beauty of a fourth dimension, which lies much more between moments than within a moment. In music one remembers never one tone, but a melody, a theme, a movement. In dance, never a moment, but again the beauty of a movement in time and space.

Real people move, they bear with them the element of time. It is this fourth dimension of people that I try to capture in a photograph.

One thing is sure - we have to transform the three-dimensional world of objects into the two-dimensional world of the canvas.. ..To transform three into two dimensions is for me an experience full of magic in which I glimpse for a moment that fourth dimension which my whole being is seeking.

We are somehow the children of the planet, we are somehow its finest hour; we bind time, we bind the past, we anticipate the future - we are going hyper-spatial; we are claiming a whole new dimension for biology that it never claimed before. We are actually becoming a fourth-dimensional kind of creature. Our future is somehow with us, as we seem to be able to move through metamorphosis into our own imaginations - a super civilization spread throughout space and time. Our future is a mystery, our destiny is to live in the imagination.