film immersion Quotes

Really, it's the director's job to disappear and allow the movie to just feel.

I didnt go to film school, i went to films

Usually, when you go to a movie, your consciousness floats above the film. 3D sucks you in and makes it a visceral experience.

As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.

When you hear a famous voice, sometimes that takes me out of the movie.

When you're watching an action movie, you experience an action movie more outside of the aquarium, you're out of the aquarium looking in at all the swimming fish that are in there. Whereas horror films and thrillers are designed to put the audience into that box, into that aquarium.

Watching a movie should be like hunting. Out of context, every image of the cinema is yours for a split second. Take them before they bury it.

For me and my films, I want my audience to experience cinema in its full glory. It's not just visual, it's audio as well. It's emotional, and I want you to be engaged with not just the scene but with the characters.

The way I work is I like to immerse myself in the world of the film and in the character's lives, and then from that, I get a lot of ideas of how the film could be made, how it could be told.

I had a mini marathon once I landed the role - going from 'Splendor in the Grass' to 'Bonnie and Clyde' to 'Shampoo' to 'Reds.' I watched them back to back. I found that when you're in the mood for 'Reds,' you're not in the mood for 'Shampoo.'

I think you tend to try, during the time you've got off, to forget about the film. It was such a total world. I mean, the sets were claustrophobic, and as soon as you were on there, you were right back into it.

One of the things I don't like about film is its incredible immersive quality. It's kind of bullying - it's very big, it's very flashy, it's got a lot of weight and it throws it around almost to the detriment of the rest of our culture.

Sometimes I get a little exhausted by shows or movies that are constantly throwing famous people on. And I find it so much more exciting to not have that when I'm watching something. I think it allows you to get more lost in something and also to bring more attention to more unknown or less recognizable people.

One of my problems with a lot of things I watch is that everybody's too pretty, and it takes me out of the film because I'm thinking that all these people look like I've seen them in a cafe in Los Angeles.

When I'm at the premiere and I see the film in its entirety, I forget plot, I forget the story, I forget what my character goes through, because I really do just let it go.

I'm a living example of getting into films backwards. Merely by accident. Exposure to films and ideas is the best thing that colleges can do.

I can't watch my movies and get into them because as soon as I see myself I get taken out of the film.

I wasn't allowed to see movies when I was a child. It was against the religion I was raised in, Fundamentalist Baptist. I didn't go into a commercial movie house until I was a senior in college, and that was on the sly. It wasn't until I was in graduate school that I immersed myself in films. Then, I went to see all the films by Bergman, Fellini, etc.

I love films where you go into the cinema and loosen the edges of yourself and you hopefully enter into the world of the film. You're watching something unfold before you. I prefer the idea of wonder or intense wonder over shock or something.

Escaping into a film is not like escaping into a book. Books force you to give something back to them, to exercise your intelligence and imagination, where as you can watch a film-and even enjoy it-in a state of mindless passivity.

As an audience member, if I go to a film, and I am watching two actors, and they're kissing, and it looks like they don't even want to be kissing, it just takes me out of the film.

From such a young age, I was raised and have raised myself on film to such an extent, that it has sometimes bled into my reality. There are times I've felt very Mulholland Drive, where people's dream worlds overlap with each other.

The grand scale and immersive nature of The IMAX Experience gives 'Spiderwick' a brand new level of excitement. In IMAX theatres, fans will be drawn into the movie even further and feel as if they are actually part of the story.

Some people would find just the rhythm of my films alone to be a nightmare; they'd probably just fall asleep because they want something quicker. Other people fall into it and it works for them like a dream.

I didn't find it difficult to live in the 'Inherent Vice' world or play those scenes, because they just seemed so real.