Female Writer Quotes

It's hard enough to be a lady writer. Doubly hard to be a funny lady writer.

So you're the little woman who wrote the book that made this great war.

In 1976, I read a book by Kathleen E. Woodiwiss and knew immediately that I, too, could write a historical romance. It took me a year to complete the manuscript. I was a forty-year-old Scarborough housewife who knew no one in publishing.

My world did not shrink because I was a black female writer. It just got bigger.

I was the second female writer ever hired at 'Late Night.' When I applied for the job in 1988, I had no way of knowing how much the odds were stacked against me.

I don't want to be a fusty old lady writer.

The one good thing to be said about announcing yourself as a writer in the colonial Canadian fifties is that nobody told me I couldn't do it because I was a girl. They simply found the entire proposition ridiculous. Writers were dead and English, or else extremely elderly and American; they were not sixteen years old and Canadian.

I think it's so important for a woman, if she's a writer, to look as feminine as possible.

She was a lucky woman who had established a happy knack of writing what quite a lot of people wanted to read.

Like lots of people, I really love Roxane Gay.

I'm a novelist, and I'm a woman, and I'm considered to be a serious author whether I like it or not.

I think being a woman and writing frankly about violence has gotten me some attention, and as someone who wants people to read my books, I can't complain about that attention, but it does puzzle me that this is something reviewers focus on.

Few writers can rival Helen Fielding when it comes to fully capturing the modern woman.

I did The 'Acid Test' at the Royal Court, by Anya Reiss, who's the most wonderful, amazing female writer. She was only 19 when she wrote it. She wrote it about three girls in a flat on a Friday night, and that was magic because it was so rare to have three girls in your age group in a play. It just doesn't happen.

If the writer is a woman, feminist or not, it will give the language something that it would not have if it had been used by a man.

I am an inveterate homemaker, it is at once my pleasure, my recreation, and my handicap. Were I a man, my books would have been written in leisure, protected by a wife and a secretary and various household officials. As it is, being a woman, my work has had to be done between bouts of homemaking.

I did not know that 'poetess' was an insult, and that I myself would some day be called one. I did not know that to be told I had transcended my gender would be considered a compliment. I didn't know — yet — that black was compulsory. All of that was in the future. When I was sixteen, it was simple. Poetry existed; therefore it could be written; and nobody had told me — yet — the many, many reasons why it could not be written by me.

With 'Suffragette,' I felt that a female writer would be good, and considering the subject matter, who would be better to write the script than Abi Morgan? She was the first choice, and she happens to be a woman.

I've had people say very dismissive things about my books, but I also feel like I probably have more readers because I'm a woman. I mean, more readers are women and more people who buy books are women, so I don't feel like it's a total disadvantage to be a female writer.

You hit the wall almost right when you get up to the top. If there's a female writer being suggested to do a rewrite on a script, it's always the big boys going, "Mm, let's go with [a man]..."