VIRGINIA HENLEY

In 1976, I read a book by Kathleen E. Woodiwiss and knew immediately that I, too, could write a historical romance. It took me a year to complete the manuscript. I was a forty-year-old Scarborough housewife who knew no one in publishing.

'The Irish Duke' is a sequel to 'The Decadent Duke' about Lady Georgina Gordon who married the Duke of Bedford. 'The Irish Duke' tells the story of their daughter, Lady Louisa, who married James Hamilton, the powerful and wealthy Duke of Abercorn.

I devour history books. I love anything by Thomas B. Costain or George MacDonald Fraser. He writes magnificent history, and he also wrote the Flashman stories, which are irresistible.

I did a great deal of research to write 'The Irish Duke.' Since all the people in this Lords of the Realm series are real historical characters, everything had to be authentic. I researched Woburn Abbey, where my heroine lived, and everything about Barons Court in Ireland, which was the ancestral home of Abercorn.

I begin early in the morning and edit everything I wrote the previous day. I write until mid-afternoon. My goal is to write a chapter per week, and if I am not finished by Friday, I write on the weekend. I get a lot of fan emails and answer them every day. In the late afternoon, I attend to the business of publishing, etc.

History is my passion. So I write what I love to read. I find that if I combine history with a strong, sensual romance, it is like a one-two punch. The reader doesn't want the history without the romance, and of course the heavier the history, the more it has to be leavened with a sensual, all-consuming love story.

Probably every book I read influenced me in some small way. Authors like Jan Westcott, Kathleen Winsor, Catherine Cookson, Georgette Heyer, and even Barbara Cartland taught me to write character-driven stories.

It was an easy decision for me which books to self-publish as ebooks. I got the rights back to two Avon books that I wrote at the start of my career. I paid to have these two books, 'Bold Conquest' and 'Wild Hearts,' scanned. When I got them back as documents, I had to clean them up and correct all the typos, etc.

I love to have real people of history interact with my fictional characters. History gives me the plot. I research the period meticulously, and then I blend in a romantic and sensual love story to give it balance. The heavier the history, the more romantic the couple must be.

I have always been drawn to the Restoration period of Charles II. I have a soft spot for Charles Stuart, who was always loving and kind to the opposite sex. The members of his court were fascinating, and Barbara Castlemaine was one of the greatest courtesans in history.

I was born in England and went to school there. That's when I discovered my undying passion for history - not just for the Middle Ages, but all periods of history. My favorites are medieval, Elizabethan, and Georgian; however, I've written stories set in periods as early as ancient Rome, right up to the Victorian era.

I begin early in the morning and edit everything I wrote the previous day. I write until mid-afternoon. My goal is to write a chapter per week, and if I am not finished by Friday, I write on the weekend. I get a lot of fan emails and answer them every day. In the late afternoon, I attend to the business of publishing, etc.

Probably every book I read influenced me in some small way. Authors like Jan Westcott, Kathleen Winsor, Catherine Cookson, Georgette Heyer, and even Barbara Cartland taught me to write character-driven stories.

It was an easy decision for me which books to self-publish as ebooks. I got the rights back to two Avon books that I wrote at the start of my career. I paid to have these two books, 'Bold Conquest' and 'Wild Hearts,' scanned. When I got them back as documents, I had to clean them up and correct all the typos, etc.

I did a great deal of research to write 'The Irish Duke.' Since all the people in this Lords of the Realm series are real historical characters, everything had to be authentic. I researched Woburn Abbey, where my heroine lived, and everything about Barons Court in Ireland, which was the ancestral home of Abercorn.

To have a successful writing career, you must be willing to sacrifice a great deal. The book, the deadline come first before anything else. Writing is not a job; it is a lifestyle, and it is a roller-coaster ride of highs and lows. You need self-confidence and an iron carapace.

I devour history books. I love anything by Thomas B. Costain or George MacDonald Fraser. He writes magnificent history, and he also wrote the Flashman stories, which are irresistible.

In 1976, I read a book by Kathleen E. Woodiwiss and knew immediately that I, too, could write a historical romance. It took me a year to complete the manuscript. I was a forty-year-old Scarborough housewife who knew no one in publishing.

I have always been drawn to the Restoration period of Charles II. I have a soft spot for Charles Stuart, who was always loving and kind to the opposite sex. The members of his court were fascinating, and Barbara Castlemaine was one of the greatest courtesans in history.

I love to read history books, which is where I get my ideas. I also read historical romance for pleasure.

I love to have real people of history interact with my fictional characters. History gives me the plot. I research the period meticulously, and then I blend in a romantic and sensual love story to give it balance. The heavier the history, the more romantic the couple must be.

'The Irish Duke' is a sequel to 'The Decadent Duke' about Lady Georgina Gordon who married the Duke of Bedford. 'The Irish Duke' tells the story of their daughter, Lady Louisa, who married James Hamilton, the powerful and wealthy Duke of Abercorn.

History is my passion. So I write what I love to read. I find that if I combine history with a strong, sensual romance, it is like a one-two punch. The reader doesn't want the history without the romance, and of course the heavier the history, the more it has to be leavened with a sensual, all-consuming love story.

I first started writing historical fiction in the late '70s and kept pictures of Kathleen Woodiwiss and Rosemary Rogers on my refrigerator until my first book was published by Avon in 1982. The biggest advantage of this genre for me is that it allows me to blend fact and fiction.