Fast Production Quotes

When you record an album in six days, you don't have time to work out a lot of stuff.

The majority of my records that become big records are usually done in one day.

'Bruce Lee' is the fastest film in my career. But the quality is also very high. The last song was shot continuously for 24 hours. We worked like robots for that song, but the quality is outstanding.

If you write a movie for Roger Corman, it's going to get made. You saw it almost the next day.

The short film project I just finished for W Hotels and Intel, I didn't have my script finished until a few days before we began filming. We edited it very quickly and now it's up online. It was great to conceive an idea and have it premiere just a few weeks later, compared to a feature, which takes a year or more.

You spend so many months and years in the studio, and you see the clock ticking and so much time spent on the minutiae of technical things. And I just thought it'd be fun to do something extremely fast and get that rush of something that had some energy, something that you weren't tired of when you finished it.

We make a lot of movies, and we make them fast.

In television, you make an hour-long episode every seven days; we used to make 'Party Down' in four days per episode. It's quick and with independent movies is the same: you gotta keep moving. It's very similar.

I've already done two cover albums. I don't know, maybe it wouldn't be a good idea to do another, but I just did the Led Zeppelin song for fun, and I thought I could do it kind of quick since songs that I love a lot I can do fast.

We may not have a sample size larger than one, or we may not have unlimited resources - it's a TV show, and we generally turn these things around in about a week or so.

I learned from the best people in soap because it's so fast and involves multiple camera work. You don't get any rehearsal time - you just learn your script and then you're off and running.

After 'Maryada Ramanna,' I wanted to make a quick film on a shoestring budget.

I love making cheap films. I really do. What I've found is that I work better when it's both a fairly low budget and a short schedule. It focuses the mind, and it's a better atmosphere.

Danny and I wrote 10 songs in seven days, which I thought might be close to the record until you probably look at some of the Beatles statistics.

I got a custom-made silk dress from a Chinese tailor for really cheap. I sketched it out on a piece of paper, and they took my measurements and made the dress for me in a day!

We shoot double episodes in 15 days in Los Angeles.

There's been a tendency to think that TV music has to be cheap and fast and for films it has to be nothing but orchestral music, but it's not right.

We work pretty fast. I might be working, and I might knock out two, three songs. Quavo might come in two, three himself. Offset might come and do the same.

We want a system that creates the same exact sandwich, very rapidly and very consistently, every single time.

'The W' was real dark to me. Out of all the Wu-Tang albums, I like the first one and the second one. When 'The W' came into play, and the other ones, I felt they were just thrown together fast. Everyone got their money, and it was just like, 'Whatever, whatever, whatever.' 'The W' was a real dark album.

I usually make records very quickly. I usually go in and record them and mix them, and I'm done within a couple of weeks.

Out of all of the things I've written, 'Dot' was the quickest from first thoughts to full production.

Thank God there is a such thing as hiatus. We got the first 'Dr. Horrible' done in six days, we banged it out.

I love working in TV. TV is fast. You shoot it, and it's done quickly.

Vine was like no other creative rush I ever had. In minutes, you could conceive an idea, shoot it and send it off to millions.