When we make the cerebral state the beginning of an action, and in no sense the condition of a perception, we place the perceived images of things outside the image of our body, and thus replace perception within the things themselves.
Artistic inevitability lies in the complete adequacy of the external to the emotion.
You can talk about what you see from the outside; it's hard to tell me who I am when you're just looking at me with a football uniform on. That's a totally different person. That's my job, that's it.
Words are but the bannerets of a great army, a few bits of waving color here and there; thoughts are the main body of the footman that march unseen below.
My body is a projection of my consciousness.
In portrait photography there is something more profound that we seek inside a person, while being painfully aware that a limitation of our medium is that the inside is recordable only insofar as it is apparent on the outside...Very often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe.
A man may not always be what he appears to be, but what he appears to be is always a significant part of what he is.
The outward is only the outside of that which is within. Men are not concealed under habits, but are revealed by them; they are their true clothes.
What the people are within, the buildings express without.
Honour both spirit and form, the sentiment within as well as the symbol without.
I do not paint a portrait to look like the subject, rather does the person grow to look like his portrait.
The visible world is but man turned inside out that he may be revealed to himself.
Violence in drama is an external contextualization of internal conflicts.
The manifestation of poetry in external life is formal perfection. True sentiment grows within, and art must represent internal phenomena externally.
I would say that clothes are an excuse for living in the world.
Language should find itself in the physical world, and not end up locked in an idea in somebody's head.
Whatever you are inside, the good and bad will manifest in the outside world. It will come out in some way. It will come out in your work. It will come out in words. It will come out.
I think in the same way you find a song that you feel represents the way you feel on the inside, that's for me what fashion is all about. It's sort of an external expression of an internal feeling.
Clothes are but a symbol of something hid deep beneath.
In all professions each affects a look and an exterior to appear what he wishes the world to believe that he is. Thus we may say that the whole world is made up of appearances.
You can always draw as well as you know how to. I flatter myself that I feel more than I express on canvas; but I know that is not so.
I look on the outside how I feel on the inside.
I know very well the difference between my image and who I am.
It's fashionable for modern actors to talk about getting 'inside' a character. But you can't get to the inside without getting the outside right first.
Adornment is never anything except a reflection of the heart.
