Experiment is actually doing the art. That's the experiment and then you get to experience the experiment.
Performance is a vehicle for entering different worlds of experiencing.
Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
Stop thinking about art works as objects, and start thinking about them as triggers for experiences... That solves a lot of problems ... Art is something that happens, a process, not a quality, and all sorts of things can make it happen ... [W]hat makes a work of art 'good' for you is not something that is already 'inside' it, but something that happens inside you.
I am for an art of things lost or thrown away. . . I am for an art that one smokes like a cigarette. . . I am for an art that flutters like a flag.
Art should be created for life, not for the museum.
Performance art can involve the audience with taste, smell and sounds not available with electronic media and not practical with conventional theater. This is due to the usually small audience.
All writers, musicians, artists, choreographers/dancers, etc., work with the stuff of their experiences. It's the translation of it, the conversion of it, the shaping of it that makes for the drama.
When we create out of our experiences, as feminists of color, women of color, we have to develop those structures that will present and circulate our culture.
The great poems are not about experience, but are the experience itself, felt in the body.
I like to work with it so that you feel it physically, so you feel the presence of light inhabiting a space. My desire is to set up a situation to which I take you and let you see. It becomes your experience.
Good art is never made in studio. Good art I make in life.
I'm not really interested in creating things to be seen inside a private gallery. I'm interested in creating things that are all around us, that engage us. I just find the things that I respond to are useful.
The most powerful part of the art is experiential, yet it's the hardest to describe because it's nonverbal.
I believe people can have a profound experience by being surrounded by something beautiful - that's what I aim for. My sculpture is about the way you feel when you're standing under it and inside it. It's experiential art.
I'm trying to expand the notion of curating. Exhibitions need not only take place in galleries, need not only involve displaying objects. Art can appear where we expect it least.
The idea of a 'happening' is that there is little distance between the viewer and it, whatever 'it' is. It's an experience that's on-going and evolving.
The problem with doing physically ambitious art is that to view it, you still have to be in your physical body.
