When I was 16 and on a tour of Europe, I fell in love with Le Corbusier's Notre Dame du Haut chapel in Ronchamp, France. I'd quite like to live in it.
What a different world it was when I first sailed for Europe in 1930, with my mother, sister, and brother to spend six months abroad.
I did a long concert tour in England and Denmark and Sweden, and I also sang for the Soviet people, one of the finest musical audiences in the world.
Fortunately for me, my mother loved travel. Our first non-beach family trip abroad - to England, France, and Switzerland - came when I was 11, and thereafter, we often tagged along on my father's European business trips.
What I can say is that for may years jazz musicians had to go to Europe, for instance, to be respected and to be sort of treated not in a discriminatory way. I don't think there is anything controversial about me saying that. This is just a fact.
Traveling to Russia and Germany and being able to see the world at a young age was really cool for me, and I really liked that.
I do remember one of the first great experiences of going to Europe was playing in Rome hearing the people sing our music so loud. It was louder than the music we were playing.
When I was a teenager, I went to Europe on a backpacking trip by myself, and I met a woman who was following Sebadoh. It was the early 1990s, and that was my introduction to indie rock.
I enjoyed the two years I was with Clannad. I enjoyed touring. We toured a lot in Europe.
I mean, I would love to have the career Joan Baez is having in Europe right now, but God knows I don't begrudge her that career.
Every summer, around late July and into August, I find myself in Europe, performing at any festival that will have me.
I think the idea of having the show divided into two parts was that Tom Tom Club opened for Talking Heads in Europe, and it was the best we'd ever had as an opening act.
I love anywhere new and different. That's the fun of travel. I've always loved driving through Spain, France and Italy - sometimes in an Alfa Spider.
We got a chance to go and play in some places that the usual European tour by an American band didn't go to.
I turned pro and won Rookie of the Year on the South African Tour and then it took me two tries at the qualifying school on the European Tour and to get my card and the rest is history.
When I moved to Seattle in fourth grade, I joined the Seattle Girls' Choir. It's a world-class choir, and we competed, toured Europe, and went and sang at the Vatican, so it was a really awesome experience to have that young.
I've said before that the Ryder Cup is not the European Tour versus the American Tour. It's Europe's best golfers against the US.
I graduated in 1952 and went to Europe, with Niki and our first child Laura, who was then a year old.
The European Tour plays all over the world: from the U.K. to China, from Korea to South Africa, and from the Middle East to southeast Asia.
I discovered rock'n'roll. You could go round Europe in a van with your best mates, drinking beer, smoking dope and screwing chicks.
A Hawk and a Hacksaw may be from America, but the band's music sure isn't: Since the beginning, Eastern Europe has been an unwavering source of musical inspiration, not to mention fertile touring ground, for the group.
Next year I'm going to be a guesting soloist with orchestras all over Europe, to start off with.
I learned how to play golf over in Europe; I learned how to manage being on the road.
I went with Lionel Hampton for three years. Out of that came a trip to Europe.
The last few years I've been doing the Middle East thing, and it's a tough decision whether to go there and try and knock off some events as a European Tour member, this year I think overall looking at my results, I played a little bit better on the West Coast than I have in the Middle East, so that was another determining factor for coming back here to an event that I have had some success in the past.
