energetic atmosphere Quotes

I love the energy, and I just love watching people lose their minds and be happy and exhilarated. There is nothing like it.

Songs like "Spirit Carries On" really gets the audience moved and on the same page. It's challenging and all so much fun to play.

When I first travelled to New York in 1982 on a summer holiday as a student, I remember thinking how exciting it was, how energising it felt, and also how it felt dangerous - it was a place where you could make a wrong turn, either geographically or just in a human interaction, and suddenly find yourself in trouble.

It was the first time that I was on Broadway, and I got to run as fast as I could to keep up. And I loved it!

It's not the sort of night for bed, anyhow.

For me, when I grew up playing music, I played music in church and people were shouting and having a big time, and church wasn't something where it was subdued. If you played something, you brought it to church with you.

I've been going to Europe for some time on the festival circuit, and once you get in that element and see others reacting to it, it's easier to understand. You get trapped in the wave. The beats are driving and super-aggressive - like, so hard. I was curious.

Nothing beats looking out to a sweaty, packed house full of fans.

Rock n' roll is a participatory sport.

I never do a show where the people just sit there and look at me. They always sing along. It's going to be a fun time.

I can get a dance party started pretty much anywhere and anytime.

New York is a wonderful place to shoot. The bystanders are great. They are enthusiastic. They respect the process, and you get the energy of the city.

A tour is the most intense, stimulating way to hear music; it's the best form to receive it. There's genuine excitement from people. I feel like we've stepped up a level.

We didn't know what the reception was going to be when we walked out on the runway, but it felt like we were in a rock band. People started cheering. It was a nice way to begin Zoolander 2, with that kind of reception.

When we play Jenny Don't Be Hasty, that's cool because everyone really dances. It's between that and when we play Loving You, that's when you give it your all. Well you give it your all for all of it but that's like proper end singing with your full strength put in.

I love the intimacy of venues like the House of Blues. When everyone is packed in and so close to you, it makes you play differently. It's so much more fun to play because there's so much more high energy in a place like that.

The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.

The Stones in a club is still the ultimate rush.

It doesn't matter if you load it on a DVD, if you videotape it, it doesn't matter. There's nothing more exciting than being at a live show.

You just went up and started playing, the audience got into it, and it was just a great high experience. That's what I kind of invented with "Mas Tequila" in Cabo.

I was walking along and this chair came flying past me, and another, and another, and I thought, man, is this gonna be a good night.

I went to Canada and played in this tiny bar where the windows were steaming up and everybody was so animated and singing along right there at the foot of the stage, looking up, and I got my mojo back .

There is something in the New York air that makes sleep useless.

At festivals, you can go a lot bigger than a club and have massive euphoric moments because there are so many people there all feeling the same thing.

I've always thought Mexico City was incredibly dynamic.