Thinking of a series of dreams Where the time and the tempo fly And there's no exit in any direction 'Cept the one that you can't see with your eyes
You ever be having a really good dream, and then, uh- right in the middle of the dream you wake up, right in the best part of the dream? And there you are, back in your stinkin' life again? Man, that's rough, eh?
I wanted to be Gene Kelly. Well really, I just wanted to dance with Cyd Charisse.
I dreamed I saw the silver spaceships flying in the yellow haze of the sun. There were children crying and colors flying all around the chosen ones.
The hand above turns those leaves of loves, all in all a timeless view. Each dream of life flung from paradise everlasting, ever new.
People were going to geometry class and I was swimming through vats of chili on 'Even Stevens.' It was like a dream!
As a little girl, I didn't dream of being a ballet dancer; I dreamt of being a movie star like Ginger Rogers and dancing with Fred Astaire. I used to watch the Sunday double-bills on TV and Iong to be part of what seemed a perfect Disneyland world. Astaire was a genius.
Neruda had his first dream, First meeting with the Moon and the Sun In sunny La Mancha, hiding in his heart, Where he learned how to sing like a nightingale.
I actually keep having this one recurring dream where I'm a little number standing in a line of other numbers that look identical to me. Then there are more and more of these numbers that follow me, again and again and again. It's more of a nightmare.
'The Big Lebowski''s soundtrack has had as much of an influence on me as the film itself. My favorite Bob Dylan song is 'The Man in Me,' which plays over the movie's opening credits as well as during the first dream sequence.
'The Big Lebowski' was something we wrote for Jeff Bridges, and we set it aside for a couple of years because he wasn't available.
I loved old black and white movies, especially the Fred Astaire and Ginger Rogers musicals. I loved everything about them - the songs, the music, the romance and the spectacle. They were real class and I knew that I wanted to be in that world.
What better model of a synthesis than a nocturnal dream? Dreams simplify, don't they?
I read the script [Havenhurst] and I went to bed, but I woke up because somebody had knocked on my door. Or at least it seemed like somebody knocked on my door at, like, 4 in the morning.
He lifted his eyes to the girl. She looked afraid. She always looked afraid, these days. The world was a scary place. She said: "Take me with you." He woke up.
In a dream, we are simply confronted with various loaded symbols, and where one is exhausted, it gives way to another.
Maybe it's because I grew up during the MTV generation, but to me a perfect song is one I can imagine a music video to, a song that can take you into a dream.
I'm sitting at the dinner table, wearing my future mother-in-law's underwear. It's like some twisted dream that you wake up and thinkL Crikey Moses! Thank God that didn't really happen!
But oh! as to embrace me she inclin'd, I wak'd, she fled, and day brought back my night.
I was born inside the movie of my life. The visuals were before me, the audio surrounded me, the plot unfolded inevitably but not necessarily. I don't remember how I got into the movie, but it continues to entertain me.
For some weird reason, people have a fascination with Laura Palmer.
The one sound I think of when I think about dreaming is the harp glissando, which is this really atmospheric run up and down the scale that's really dreamy.
I don't know why, but even my nighttime dreams are very, very rooted in reality. They just start to become surreal, little by little. That exact moment when you're about to realize that this might be a dream is my favorite thing.
Among the best of Hitchcock's own psychological thrillers is 'Spellbound,' whose story unusually wrapped the subject of psychoanalysis around a murder mystery.
I looked over and Jim Morrison was dancing the jitterbug with my grandmother on the coffee table.
