Me and fellow scouser Toni Duggan are a double act. We are always pre-planning some sort of practical joke.
Dealing with sketch comedy and buddy teams like Abbott and Costello, Bob Hope and Bing Crosby - I just loved buddy comedies.
Monty Python crowd; half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing.
When I was a boy, my family used to watch a lot of Laurel and Hardy.
Abbott and Costello were huge for me as a very young person.
What's interesting about Laurel and Hardy is that in most comedy teams, there's a straight man, and then there's the funny guy. And with Laurel and Hardy, they're both the funny guy.
I never saw a Laurel & Hardy movie in a theater when they first ran, when I was a kid. But as a child, I knew who they were, and knew the culture of it, what they meant.
'Sightseers' started off as a character comedy double act.
I grew up on Jerry Lewis and Abbot and Costello, the Marx Brothers.
I love W.C. Fields. I can watch all the Laurel & Hardys.
There are different types of double act: the classic dumb-and-dumber, like Morecambe and Wise; the good cop/bad cop, where one's a bit spiky and the other's daft. Sue Perkins and I take what we might call the Ant and Dec approach: the double act came out of our friendship.
I had been an abject fan of Martin and Lewis when I was a kid. I just thought they were terribly funny. None of their movies captured the kind of chemistry they really had.
Now, on the St. Louis team we have Who's on first, What's on second, I Don't Know is on third.
We had not had time to establish ourselves as a double act before Ernie joined the Merchant Navy. I teamed up with the brother of the late Dave Morris.
