As soon as somebody comes out for a politician, especially in Hollywood, when they all go, 'I'm voting for this guy!' – I go, 'That's not who I'm voting for!'
Tout re volutionnaire finit en oppresseur ou en he re tique. Every revolutionary ends as an oppressor or a heretic.
Silence does not equal patriotism. Obedience is not the American way.
I cannot help but raise a dissenting voice to statements that we are living in a fool's paradise, and that prosperity in this country must necessarily diminish and recede in the near future
He was one of the very few people who warned about the market crash of 1929 and the Great Depression.
I consider myself a kind of a one-man government-in-exile. I don't want to call it a government - let's call it one man's idea of American freedom in exile.
Dear old al-Maarri was a great skeptic poet. He wrote a parody of the Koran, and his friends would tease him and say, "al-Maarri, but no one says your Koran." And he said, "Yes, but give me time. Give me time. If people recite it for twenty years it will become as popular as the other one."
It's probably the journalist in me, but I'm naturally suspicious about consensus and always feel an impulse to confront it.
I've never wanted to be part of an inner circle of any scene. I've always been an outsider looking to question and subvert.
I see the effects of sexual and gender liberation all around me, just like you do, but I don't have a sense of being in the majority.
To criticize one's country is to do it a service.... Criticism, in short, is more than a right; it is an act of patriotism-a higher form of patriotism, I believe, than the familiar rituals and national adulation.
Only the suppressed word is dangerous.
Juda Loew Baruch
Many hated 'Selma.' Just because my voice and the voice of the people I come from is antithetical to so much of what Hollywood produces. I don't think what I'm saying is in particular radical or anything; it's just different from what they want to sell.
I am probably an outsider because I challenge conventional narratives about who should have a seat at the table.
The writing you allude to is a form of dissent, but it's also expressive of the need to evolve beyond what is turgid and stale in contemporary fiction.
I don't think of myself as being particulary a subversive writer, but I like to think that my work could afford someone else, the extra degree of freedom that I found when I first found science fiction.
I don't toe the party line all the time.
Poetry had in the hands of various people become a place for inconvenient knowledge insofar as it was a place for knowledge at all. But it was a place where you could talk about other kinds of experience than the official version.