Design Collaboration Quotes

I brought a lot of my own pieces of clothes to the design room when I first met with the design team just so they could see what my style was like.

I got involved in the design process a long time ago. I've been working with their main designer [Berlei] for a while. It's been really fun all around.

Early in my career, I was involved with engineer-led projects, where designers came in late in the game and were expected to put lipstick on an existing code base. This almost never works.

Architecture is by definition a very collaborative process.

Marc Jacobs is full of creative people and Louis Vuitton is again a name on the door, a name that has existed for many years but I'm a collaborator there and I bring in other people, other artists and I work with a great creative design team.

We spent a lot of time trend forecasting and collaborating on ways to design a fresh line of fashion-forward, affordable luxury.

I have made things for Calvin Klein and other designers, and it's interesting to see the way each person approaches it.

I meet the designers very often, we discuss the products, they show me their ideas, we discuss the ad campaigns and every new invention that we can find for the future.

I'd love to design my own swim collection for them (VS)... Heidi (Klum) does the lipsticks, I would love to one day do the bikinis.

I'm going to design the container and interior spaces. You bring your own stuff to it and make it your own.

As far as ideas about book design: I have plenty. But I also try and let people do their jobs.

Brizo has been my single biggest sponsor since I began as a designer. Brizo wanted to be involved in many different areas of design - they had already worked with several architects, and fashion was an area they were interested in moving into.

By supporting all the links in the building chain and giving them an easy, intuitive tool for sharing model-based project information, GTeam enhances workflows and improves communication from design through to fabrication and assembly.

Interior design is a business of trust.

I wanted the collection for Target to reinterpret all the must-haves of Stella McCartney for winter and to make my designs more accessible to a wider audience in Australia.

When I was working in my first job engineering construction, what I liked the most was working with architects and making buildings that had this creative side coming from the architect and that were making them a big success.

Fashion has a long interest in collaborative situations.

I feel like there is a different, new energy when I collaborate with a living artist, whether it be a composer, designer, lighting designer. I love that process.

I wouldn't mind collaborating with anybody, but I don't want to design anything, I'm not a fashion designer.

I came to these mediums through having the garden, and of course, people who have designed gardens have always worked in collaboration, and never made their own inscriptions.

Collaborations are incredibly important in design.

It is not an individual act, architecture. You have to consider your client. Only out of that can you produce great architecture. You cannot work in the abstract

On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.

The ward designs were co-created by myself and Lauren K. Cannon. She read how they were described in 'The Warded Man,' and we had long discussions about what sources to draw from for the symbols, drawing inspiration from Arabic, Japanese, Chinese and Sanskrit.

I always need a support team, even at Donna Karan. I like collaborating. There is something in collaboration that is wonderful.