Every time I do a dance track it's like I'll get a heart attack, because it depends heavily on the video, the hook line, the stars and the promotion. Any of these factors fail, the song fails.
La Flavour's 'Mandolay' is a disco classic - I dare you to sit still while listening to it.
The second single from 'Purpose,' Justin Bieber's fourth studio album, 'Sorry' is an infectious confection - a Dorito for your ears.
'Dip it Low' is pretty highly requested for me. I get that a lot.
My album is called 'Zero to Infinity' and none of my songs are going to have cheap, dirty lyrics. Every song, in a way, is a women empowerment song. Every song, even if it's a dance track, you'll be dancing on it, but it's the right thing.
Let's be honest, 'Ginza' doesn't really have lyrics to speak of. It's a party track - a party for reggaetoneros to come out of the closet.
The Avalanches was a great dance track, I thought, but I always feel a little bit let down when there are just two lines repeated constantly. Over and over. Forever.
Sweetest High' is for the clubs, that's what it was for. It wasn't supposed to be anything serious.
I always wanted to be an actress, but I was embarrassed to say so, and somehow I found myself in the dance track. I'm very competitive, and I wanted to be the best in that field, too, although it didn't really speak to me.
'Blue Monday' is a dance track with a hint of melancholy.
