["Where the Buffalo Roam" is] horrible pile of crap. [Bill] Murray did a good job. But it was a bad script. You can't beat a bad script. It was just a horrible movie. A cartoon. But Bill Murray did a good job. We actually wrote and shot several different endings and beginnings and they all got cut out in the end. It was disappointing.
It's a product of being an actor, you know? A lot of your work doesn't end up on camera and some of the best things aren't always in the final product. But yeah, a lot of my stuff got cut and it was painful, but I know it was for the better of the movie.
There [in Allied] were things that were written that were cut, and things that were shot that were cut, but if the film works, they are erased from memory.
In any movie, there are a number of scenes that get cut in an effort to keep the film from running too long. Some are of little consequence, but others are important scenes that are very painful to lose.
On every show, there's some amount of work that is brought to some state of completion - or even finished - and then cut out of the movie.
In 'Notting Hill,' I was part of a whole plot line over six scenes that was completely taken out. That was rather depressing.
You have to find the movie in the editing room, and it can't be four hours; it has to be two hours.
Fundamentally, I always find that most of the films that I've put out are essentially the director's cut. Part of the process with a director's cut is the leaving behind of certain aspects of the movie that we don't feel necessary because they aren't part of the dynamic of the story.
One thing that the audience, and perhaps critics, aren't aware of is that, especially in a film like 'Moonlight,' you always shoot a lot more footage than makes the cut of the film.
Strangely, I always have a lot of cut scenes. I keep writing shorter and shorter scripts, thinking that this time, I'll get all my scenes in.
If you look at 'West Side Story,' a lot of those numbers are actually pretty cutty, but the cuts are always musically motivated.
I often found that my favorite scene that I shoot is often one that I cut out, like in 'The Last Castle' and 'The Contender.' If you look at the deleted scenes, some of the best scenes never made it into the film.
There's only one movie in my career I've had regrets with cutting it shorter, and I think some scenes maybe I shouldn't have cut.
Usually the audience has no idea that the censored version of whatever movie they're watching isn't the original.
I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.
All the best movies are the ones that are cut from a more middle ground.
